Gigi Zumbado redefines the uniform for a public appearance, debuting an androgynous celebrity event look that perfectly balances playful tailoring with commanding accessories.
Gigi Zumbado’s attendance at the SAG-AFTRA ‘DMV’ Event wasn’t just a media event ; it was a lesson in how to turn traditional menswear on its head. The look champions a subversive, collegiate vibe, delivered with a self-assured, contemporary edge.
The foundation is a crisp white button-down shirt , left artfully undone to reveal a hint of the midriff—a nod to current proportion play. This is paired with a burgundy and navy striped silk tie , immediately evoking a schoolboy aesthetic, which is immediately undercut by a cropped, dark blue leather or satin bomber jacket . The jacket’s voluminous, slouchy shoulders provide a crucial contrast to the fitted structure beneath, proving that the silhouette is everything. Below, she opts for black, voluminous midi-length shorts or culottes , a surprising choice that adds weight and architectural shape to the lower half.
The accessories are where the outfit truly anchors its playful confidence. Gigi elevates the ensemble with tan/camel knee-high leather boots , the warm, rich color and high shaft providing a striking visual anchor against the black and white palette. She adds dark, rectangular sunglasses for an air of mystery and a collection of layered gold hoop and drop earrings . This mix of masculine tailoring and sleek accessories transforms the entire event appearance into a carefully curated style moment.
The look is pure cultural commentary: a deconstructed uniform that simultaneously embraces nostalgia and rejects rigid formality. It’s a style reference that’s equal parts preppy and punk—a refreshing way to approach panel look dressing.
The confident pose and direct gaze ask a simple question: why wear the whole uniform when you can just wear the best parts?
To see more stars master this effortless-yet-polished celebrity fashion aesthetic, browse our latest photo galleries.
Aida Domenech commands the red carpet arrivals at the San Sebastian Film Festival, unveiling a striking celebrity look defined by a liquid black, powerfully sculpted silhouette.
The secret to a triumphant red carpet arrival is not wearing a dress, but wearing a statement—and this fashion moment speaks volumes. Aida Domenech, or Dulceida, chose an intensely visual approach to her designer outfit , arriving in a floor-length gown that appears to be entirely covered in shimmering, highly reflective black sequins or paillettes. The texture gives the gown a molten, almost reptilian effect, shimmering under the spotlight like an oil slick.
The silhouette is an exercise in extreme elegance: the dress is intensely fitted through the torso , creating a dramatic hourglass shape that embraces the high-octane glamour of Old Hollywood, but rendered in a brutally modern fabric. The high halter-style neckline is sleek and powerful, drawing focus upward to her polished styling, while the hem subtly flutes out onto the carpet, ensuring that every movement is impactful.
The styling is brilliantly restrained, allowing the texture of the couture dress to dominate. Her hair is pulled back into a severe, high chignon , which perfectly complements the neckline and enhances the visual length of her neck. The jewelry is minimal—only delicate diamond drop earrings and simple rings—a choice that shows supreme confidence in the garment. Her makeup features a strong brow and a sculpted, defined eye, creating a mood that is serious, focused, and utterly captivating.
This look taps into a current trend we’re calling “Architectural Glaze”—using highly reflective materials to turn the body into a gleaming structure. It’s a fashion moment that understands less is more, unless that “less” is a highly intense, hyper-luxurious black gown .
A sculpted blazer, embellished crop top, and confident stance — Godeliv Van den Brandt’s red carpet fashion moment channels haute couture with editorial precision (and a flash of rebellion).
Godeliv Van den Brandt didn’t just arrive at the Vanity Fair & Armani Beauty Gala — she recalibrated the red carpet. On September 19, 2025, in San Sebastián, Spain, she stepped into the spotlight with a look that fused tailoring with subversion, elegance with edge.
Her outfit is a masterclass in monochrome tension: a black blazer with sharp lapels layered over a crisscross crop top adorned with glinting embellishments. The top reveals just enough to provoke, while the blazer reins it in — a silhouette that evokes Helmut Newton’s power femmes and the precision of Armani’s own archives.
Paired with tailored black trousers, the ensemble leans into androgynous glamour. No gown, no train — just clean lines and a deliberate break from red carpet tradition. It’s a designer outfit that feels editorial, not performative.
Accessories are minimal, letting the textures and cuts speak. No visible jewelry, no clutch — just a confident pose and a camera-ready attitude. Her short pink hair adds a pop of color and personality, styled in a sleek, side-swept wave that feels both punk and polished.
Makeup appears sculpted — likely a defined brow, contoured cheek, and a matte lip. The lighting is cool, the backdrop branded in Vanity Fair red and Armani black. It’s a fashion moment that feels cinematic, like a still from a noir thriller set in a modernist gallery.
