Gillian Anderson wore an all-black tailored skirt ensemble to meet her Gabriela Hearst vulva-dress wax figure at Madame Tussauds London on November 26, 2025.
Gillian Anderson arrived at Madame Tussauds London on November 26, 2025, for the unveiling of her first-ever wax figure — a moment that turned the red carpet into a quiet study in contrast and self-confrontation. Dressed in stark black, she stood beside an exact replica of herself wearing the now-legendary ivory Gabriela Hearst “vulva” gown from the 2024 Golden Globes, complete with its hundreds of embroidered yonic motifs, diamanté jewelry, metallic Aquazzura platforms, and matching circular clutch.
The real Anderson opted for severe, almost clerical restraint: a black high-neck top with exaggerated puff sleeves and a matching long, full midi skirt that skimmed the ankles, revealing only black open-toe heeled sandals. The silhouette is monastic in its simplicity — sharp shoulders, nipped waist, and a fabric that absorbs rather than reflects light — creating a deliberate visual negation of the wax figure’s exuberant, body-celebrating extravagance. Where the Hearst gown proclaims unapologetic femininity and humor, Anderson’s chosen uniform reads as armor: understated, controlled, and quietly powerful.
This is not the first time Anderson has played with duality — think Margaret Thatcher’s rigid tailoring against Scully’s sensual minimalism — but rarely has the split been so literal. Standing beside her own immortalized provocation, she seems to say: the dress made the statement then; today I am the footnote, the observer, the one who gets to walk away. The all-black ensemble functions as a sartorial restraint, allowing the wax figure to remain the undisputed star while subtly reminding everyone that the woman herself is far more than one viral fashion moment.
Nita Strauss wore a black coat and boots at Night of the Proms in Mannheim on November 28, 2025.
Nita Strauss performed at Night of the Proms in the SAP Arena Mannheim in Frankfurt on November 28, 2025, wearing a black outfit that fused rock theatrics with orchestral drama. The long, shiny coat , paired with black boots , created a silhouette that felt both operatic and industrial — a gesture that reframed concert dressing as visual crescendo.
Her bright red electric guitar functioned as both instrument and chromatic punctuation, slicing through the stage’s moody lighting like a visual solo. The orchestral backdrop reinforced the look’s duality — not as contrast, but as counterpoint.
Strauss’s styling choice — dark, elongated, unapologetically bold — suggested someone who understands how to dress for sonic scale. This wasn’t just a performance outfit . It was a fashion moment that understood how genre becomes garment.
Asiah Collins wore a pink pantsuit at the Glamlite x Porter Ranch Holiday Party in California on November 15, 2025.
Asiah Collins attended the Ladies of Porter Ranch x Glamlite Holiday Party at a private residence in Porter Ranch, California on November 15, 2025, wearing a pink pantsuit that fused festive charm with tailored clarity. The wide-legged trousers and deep V-neck blazer created a silhouette that balanced softness with structure — a gesture that reframed holiday dressing as tonal precision.
The light pink hue , echoed in her embellished pointed-toe heels , resisted the usual seasonal palette of reds and greens, signaling a deliberate shift toward pastel power. Her tattoos , visible across both arms, added a layer of personal iconography — not just decoration, but narrative.
