Gillian Jacobs attended The Musical premiere at Sundance 2026 wearing a leopard‑print jacket, black knit top, and relaxed denim for a casual winter look.
At the Sundance Film Festival 2026 premiere of The Musical , Gillian Jacobs arrived in a look that balanced playfulness with comfort—smart layering fit for Park City’s cold air. She wore a leopard‑print faux‑fur jacket , cropped enough to hit just above the hips, buttoned at the front and subtly padded at the shoulders. Underneath peeked a black knitted turtleneck , grounding the print in practicality. Her light‑wash straight‑leg jeans softened the glamour into an approachable ease, cuffed slightly at the hem over black pointed‑toe boots .
Kate Moss attended the Saint Laurent Menswear Fall/Winter 2026 show in Paris, wearing an all‑black ensemble of lace, leather, and a deep‑red clutch.
At the Saint Laurent Menswear Fall/Winter 2026–2027 show during Paris Fashion Week , Kate Moss stood outside the venue in an outfit that felt precise, lived‑in, confident. Head‑to‑toe black without apology. She wore a lace‑trimmed silk camisole paired with a high‑slit leather skirt , the surface shining in a way that caught every flash just right. Draped across her shoulders, a long black faux‑fur coat —light reflecting off the uneven texture like frost on asphalt. Her Saint Laurent Cassandre Large Envelope Pouch in Shiny Leather , a deep oxblood red, punctuated the monochrome.
Pointed stilettos, sheer tights, and a calm, almost cool expression finished the scene. There’s something familiar about her stance: the longtime model still carrying herself as if the decade hasn’t touched her. Hair down in loose waves, minimal jewelry save for a cross pendant and gold hoops, a pared look that somehow amplifies its own confidence.
It’s pure Saint Laurent energy—decadent but stripped of theatrics. The kind of event appearance that works because it feels like her uniform. Moss doesn’t chase fashion’s moments anymore—she simply moves through them, like someone who invented the idea of looking unbothered.
Rachel Sennott attended The Moment premiere at Sundance 2026 wearing a cropped shearling‑sleeved jacket, wide trousers, and gold accessories by Chloé.
At the Sundance Film Festival 2026 premiere of The Moment , Rachel Sennott delivered what could only be described as focused glamour—sharp, specific, and slightly strange in the best way. She wore a Chloé shearling‑sleeved leather jacket , the icy‑gray hue matching the winter palette outside, its belted waist giving a sculpted shape. Heavy fur texture ran down the sleeves, cushioning the sharpness of the leather across the torso. Her Chloé wool gabardine straight‑leg pants grounded the silhouette, tailored yet relaxed enough to move.
Every detail worked like punctuation. The Chloé Château Treasures Jewelry Belt sat low, gold links breaking the monochrome, while the Chloé Small Bracelet Hobo Bag in grained leather echoed the accents with its circular handles catching light. Black Chloé Agnes pumps peeked through the trouser hem. Her hair was twisted into a high bun, a small curl left out in front—defiant and deliberate. A gold necklace glinted against the jacket collar.
This wasn’t flashy. It was constructed cool—a deliberate mismatch of heirloom energy and industrial edge. Among a sea of outerwear and mountain boots at Park City, the seriousness of her look made noise without shouting. It’s proof that meticulous layering can wield more power than red‑carpet gloss ever will.
Can this new breed of Sundance chic—half armor, half instinct—replace the old festival uniform of parkas and denim?
