Grace Van Patten wore a belted trench-style coat with fur collar and sheer tights at the Saint Laurent Grammy 2026 party in Los Angeles on February 1.
At the Saint Laurent Grammy after party held on February 1st, 2026 at Bar Marmont in Los Angeles, Grace Van Patten showed up dressed for shadows. Not drama. She wore a structured black trench coat belted at the waist, double-breasted, with a matte-fur collar that curled around her neckline like dusk. No sparkle. No thigh slit. A glint of lace peeking out hinted something less buttoned existed underneath, but she kept it hidden.
The coat hit just below the knee, pairing with black sheer tights and satin-pointed heels in a ghostly cool gray. She carried what appeared to be a leopard print clutch , almost completely tucked behind her side. Hair pin-straight, parted down the middle—unfussy. Face clean, sculpted. The whole thing said: I made an effort, but not for you.
Among backdrops of chrome mesh and micro minis, this look landed different. Quietly armored. Monochrome without being flat. She wasn’t trying to make a viral public appearance moment—she was just standing there, owning presence like a trench owns rain. It’s the fashion equivalent of an unread text: sharp, controlled, and entirely on her terms.
Laufey wore a flowing white gown with a ruched waist and trailing hem at the Saint Laurent Grammy 2026 after party in Los Angeles on February 1.
At the Saint Laurent Grammy after party on February 1st, 2026 , held at Bar Marmont in Los Angeles, Laufey stepped in wearing something that felt more whispered than announced: a soft white gown with a wide ruched waist , plunging neckline , and gently gathered hem . The fabric looked barely there—light, easy, almost bridal but without the pomp. A trailing hem drifted behind her. There was no jewelry shouting for space, no harsh makeup. Just skin and silk and air.
The look wasn’t built to compete. In a room full of shimmer nets and cutouts, this dress almost receded. Its confidence lay in understatement. The drape hugged but didn’t constrict , while the shoulders were relaxed, not pulled. Her hair, loose and natural, mirrored the dress’s softness. She didn’t need to pose. She just stood there.
As far as event appearances go, this one walked the edge between romanticism and restraint. It nodded to old-school screen sirens—Carolyn Bessette on a night out she didn’t invite cameras to. Like a breath caught mid-sentence, the look lasted only as long as you didn’t look away.
Paris Jackson wore a black printed kaftan with high slit and thigh-high boots at Universal Music Group’s Grammy after party in Los Angeles on February 1.
At the Universal Music Group Grammy after party on February 1st, 2026 , held at NYA WEST in Los Angeles, Paris Jackson brought a different kind of heat. She arrived in a floor-length black kaftan with a massive hand-painted snake motif curling down the front—red, rust, ochre. No rhinestones. No corsets. Just a slit so high it practically split the dress in two and a pair of thigh-high velvet boots eating up the lower half in texture.
She didn’t overdo the accessories. Just layered necklaces , stacked rings , and a black clutch . The sleeves hung long, the fit was relaxed, maybe even a little too soft. Hair left undone. Expression somewhere between bored and baiting. You couldn’t quite pin down whether the look was strategically mystical or just what she threw on out of instinct.
In a media event landscape squeezed by predictable silhouettes and skin-tight tailoring, this felt… quieter. Scrappier. Like walking into a dream halfway through. The robe-snake combo isn’t trying to charm the room—it’s just there, refusing to blink. It doesn’t ask to be remembered. It just lingers in the brain like smoke that doesn’t clear.
