Grace Van Patten wore a matte jersey top and glossy vinyl midi skirt at the Tell Me Lies Season 3 screening in 2026.
Mid-January in Manhattan. Low murmur of publicists, quick shuffle of photographers, and there she stands: Grace Van Patten, gloss meeting matte. A draped black jersey top–loose at the shoulders, neat at the neck–tucks into a high-waisted vinyl pencil skirt so shiny it steals the flash before it hits the backdrop. The skirt clings, then drops to mid-calf, splitting slightly at the back for movement. Sheer black tights, pointed pumps, one silver ring. That’s it. No necklace, no bag, not even earrings fighting for airtime. It’s the kind of celebrity red carpet restraint that makes silence feel loud.
The look banks on texture contrast rather than color fireworks. Soft fabric up top, almost liquid plastic below–two halves of the same noir story. 2026’s red-carpet drift toward “quiet kink” (think latex-lite, board-meeting silhouettes) lands neatly here. One sleeve slouches, hair spills in loose, beach-quake waves, but the vinyl keeps everything disciplined. When softness and shine share a single shade, the eye starts listening for nuance it usually skips.
Constructive quibble: the jersey’s relaxed cut risks bunching at the waistband, blurring that razor-sharp waist the skirt wants to frame. A subtle tuck or hidden snap could lock the proportions. Minor gripe though; the overall vibe is sleek, modern, unbothered.
Would a patent stiletto have amplified the vinyl’s edge, or does the current pump keep the balance just right?
Anna Kendrick wore a strapless Maticevski black dress, Bird on a Rock diamonds and Andrea Wazen slingbacks at Tiffany & Co.’s 2026 celebration.
The Chateau Marmont hallway feels almost too plain for so much sparkle, yet Anna Kendrick makes it work. She steps into the light in a Maticevski Sybil strapless dress –sleek black crepe through the bodice, then kicking out into crinkled-organza fins that flutter at calf level like dark petals. No color, no fuss, just texture games. Feet? Andrea Wazen Katy Slingback Pumps , mesh and leather, two skinny straps stalking toward a stiletto.
Jewelry is the whole point tonight–Tiffany & Co. throwing a bash for Amanda Seyfried’s Globe nod–so Kendrick answers with the full aviary: Tiffany & Co. Bird on a Rock Wings Pave Necklace in Platinum with Diamonds , matching Bird Earrings, and the Lovebirds Ring perched on her right hand. Stones catch every flash, turning a beige corridor into a soft-box studio worthy of a quick celebrity photos upload.
One sharp thought: in an era of loud gowns and louder discourse, a black dress only survives if it offers tension. Here it’s matte versus gloss, rigid boning against soft swoop, bird-bright diamonds next to near-monastic fabric. Minimal color, maximal contrast.
Critique? The organza panels risk bunching at mid-step, stealing a bit of the line; a touch more weight in the hem could smooth the swing. Still, the look whispers confidence–no need for a clutch, no need for neon. When fabric speaks quietly, diamonds start shouting the storyline.
Would you swap the mesh slingbacks for patent pumps to match the jewels, or does the current pairing keep the edge just sharp enough?
Grace Van Patten wore a black leather coat, striped sweater and matching trousers while walking with Tell Me Lies cast in 2026.
A bright Midtown afternoon, coffee carts hissing, taxis grumbling. Grace Van Patten cuts through it all in a long black leather trench that swings like a curtain behind her. Under the coat: a rust-and-rose striped crew-neck knit, tucked just enough into slick leather trousers that shine more than they slouch. Open-toe heels–also black, also glossy–click against the sidewalk like punctuation marks. A compact box clutch dangles from one hand; gold zipper, no fuss. Her hair hangs straight, center-parted, breezy but not messy, the kind of blonde that catches every shard of winter sun.
She’s flanked by Tell Me Lies castmates–denim jacket here, chunky gray overcoat there–yet she owns the frame. One swipe through the celebrity street style feed and you’d tag the look “rock-polished”: leather head-to-toe but softened by the almost childlike stripes. Sharp insight: when leather pairs with kindergarten colors, it stops posturing and starts storytelling–tough on the outside, playful underneath.
Quick critique. The trousers pool slightly over the peep-toe fronts, risking a wet-hem vibe if the weather turns. A crisper hem would keep the silhouette razor straight. Still, the outfit strides, not tiptoes. Mixing kindergarten stripes with biker slickness proves duality sells better than any logo.
Do the wide stripes energize the leather, or would you swap them for a monochrome knit to lean full noir?
