Grace Van Patten wore a black leather trench coat with open-toe heels outside the Good Morning America studio in New York City on January 12, 2026.
Grace Van Patten outside the Good Morning America studio, New York City, January 12, 2026. She’s on the sidewalk, not a red carpet in sight, but the look is sharp– black leather trench coat , long, buttoned, with a clean collar and no visible embellishments. The coat hits mid-calf, just enough to show off black open-toe heels. She carries a black clutch, gold hardware peeking out. No scarf, no hat, just a single chunky ring and a lot of attitude.
Her hair is long, straight, parted in the middle, almost too perfect for the wind. Makeup is minimal–just a little bronzer, lips a soft nude, eyes defined but not heavy. The whole thing feels a little bit “model off-duty,” a little bit “don’t mess with me.” No drama, no sparkle, just leather and confidence.
This is a look that leans into urban fashion –tailored but not stiff, modern but not trying too hard. For those who follow celebrity look , it’s a reminder that sometimes the best move is to keep it simple–one great coat, one strong walk, and a little bit of edge.
She could be anywhere–a gallery, a dinner, or just out for coffee. Today, she’s here, and the leather does all the talking. The rest is just city noise.
Giovanna Ewbank appears in the January 2026 issue of Numéro Netherlands, photographed in several striking outfits that highlight texture, contrast, and editorial edge.
January 2026. Giovanna Ewbank against a minimalist wall, sequined gown clinging, feathered cuffs brushing against wood. Colors shifting — pink, gold, black — textures colliding. One arm raised, touching the central beam, pose deliberate, almost theatrical but grounded in the everyday geometry of the building.
Another frame, another rhythm. A black outfit layered: coat, skirt, boots with fringe, hat tilted. Background traditional, Japanese wall with tiled roof, evergreen trees rising behind. The look sharp, cultural contrast loud. Fashion pressed against history, modern lines against old stone.
Third look, autumn setting. White fur coat heavy, sheer stockings dotted, black heels steady. Leaves yellow, tree blazing, ground covered. The coat stark against the warmth of the season. A scene that feels cinematic, yet raw.
Fourth outfit, brick wall backdrop. Bodysuit brown, sleeves voluminous, tights sheer with polka dots. Shadows cast across the wall, shapes bending, adding depth. The pose direct, outfit textured, atmosphere heavier.
Her styling here: deliberate opposites. Sequins and feathers, then fringe and hat. Fur coat against autumn leaves, then bodysuit against brick. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into texture, setting, and mood.
Rebecca Hall wore a striped blue button-up layered under a black satin fit-and-flare dress with black heels at the BAFTA Tea Party 2026.
Against the lavender BAFTA backdrop, Rebecca Hall keeps her look disarmingly grounded. She wears a fitted black satin dress layered over a blue-and-white striped shirt , its cuffs rolled and collar casually unbuttoned. The effect is crisp but a little undone, like something borrowed from a creative meeting that carried her straight out the door and onto a carpet.
The dress cuts clean at the waist before flaring into soft folds that move easily above her knees. It’s an unusual pairing–structured satin with the office staple of a shirt–and it somehow works because she refuses to make it precious. Simple black heels , with a pointed toe and ankle strap, anchor the outfit’s balance between polish and practicality.
Her makeup stays restrained: hint of rose lip, pale shimmer along the eyes, cheeks just touched with warmth. Hair loose, parted down the middle, falling natural. The look feels functional, chic in its stubbornness–a stubbornness that reads as charm on her.
This isn’t glamour in the borrowed sense. It’s a uniform bent slightly off-axis–sharp, self-ironic, quietly perfect.
