Grace van Patten appears in NYLON Magazine’s January 2025 issue, photographed in a series of varied outfits that highlight her understated presence and contemporary edge.
January 2025. Different frames, different moods. Grace van Patten caught in fragments — seated, standing, leaning. Outfits shifting from bold stripes to muted tones, from tailored edges to loose silhouettes.
Her presence feels steady, even when the styling changes. A cropped jacket here, a patterned pant there, stockings, heels, undone hair. Each look carries a different rhythm, but together they form a spread that feels cohesive. Not polished perfection, but lived‑in.
Suzanna Son appears in WWD’s May 2025 issue, photographed in a striking mix of leather, denim, and bold lipstick against a velvet curtain backdrop.
May 2025. Dark blue velvet curtain pulled tight, heavy folds catching light. Suzanna Son standing in front, outfit sharp, posture steady.
Her look: black leather jacket, cropped and stiff. Light blue jeans, casual but deliberate. Black high‑heeled shoes grounding the frame. Hair swept to one side, lipstick red, cutting through the muted palette. No jewelry visible, no glitter. Just leather, denim, and presence.
Amanda Seyfried appears in W Magazine’s Best Performances Issue for January 2026, styled in Prada Spring 2026, photographed in a studio setup that blends illusion with candid rhythm.
January 7, 2026. A treadmill hums, a screen flickers with the image of an industrial hallway. Amanda Seyfried walks, handbag steady in her grip, outfit split between black top and pale skirt. Cameras circle, lights hang overhead, boom arms stretch like scaffolding.
Her look: Prada Spring 2026. Black sleeveless top, neckline sharp, fabric textured. Skirt light, soft, hem brushing with each step. The handbag almost too deliberate, a prop that grounds the illusion. Hair loose, makeup restrained. No glitter, no fuss. Just fabric, bag, and presence.
