Greta Lee stunned in a custom The Row ensemble paired with Tiffany & Co. jewelry at the 2025 Venice Film Festival “A House of Dynamite” photocall. Her minimalist yet glamorous look—featuring a sequined top and wide-leg pants—proved that quiet luxury is the ultimate red carpet statement.
There’s a certain magic to the Venice Film Festival—the way the lagoon light softens even the boldest fashion choices, turning red carpets into canvases of understated drama. On September 2, 2025 , Greta Lee mastered this alchemy, stepping onto the photocall for A House of Dynamite in a look that balanced The Row’s signature minimalism with Tiffany & Co.’s iconic glamour. It was a study in contrasts: sequins and silk, structure and flow, all wrapped in the kind of quiet confidence that defines true style icons.
Outfit Focus: Minimalism Meets Maximalist Detail
Lee’s ensemble was a masterclass in modern tailoring, starting with a custom The Row sleeveless top that redefined “effortless.” Its asymmetric neckline—draped slightly to one side—and boxy silhouette paid homage to the ‘90s minimalism revival, but with a 2025 twist: the fabric was a dense weave of black sequins , catching the light with every movement in a way that felt both subtle and showstopping. Think Parisian ateliers’ love for textured fabrics, but dialed up for the red carpet.
Below, wide-leg trousers in matte black crepe flowed effortlessly, their straight leg and high waist elongating her frame. The pants were a study in restraint—no embellishments, no frills—allowing the top to take center stage. Together, the set was a nod to the “less is more” ethos of designers like Phoebe Philo (whose influence still ripples through contemporary fashion), but with The Row’s signature edge: clean lines, sustainable luxury, and a refusal to compromise on quality.
Styling Cohesion: How Accessories Elevate (Not Overwhelm)
No The Row look is complete without the right accessories, and Lee chose wisely—proving that maximalist jewelry can coexist with minimal clothing if scaled appropriately. Her wrists boasted two Tiffany & Co. Schlumberger bracelets : one a diamond and enamel piece (its geometric shape adding angular interest), the other a platinum and gold croisillon (with a delicate black enamel finish). On her fingers, the Schlumberger Rope Six-Row ring (platinum and gold) and Two Bees ring (featuring a round brilliant diamond) brought a playful yet refined touch, while the Banana Dot ear clips added a pop of whimsy—like a secret nod to 1960s Parisian chic.
The mix of metals—platinum, gold, diamonds—was deliberate: it mirrored the contrast between the sequined top and crepe pants, creating a cohesive yet dynamic look. As one imaginary Milanese stylist might whisper, “C’est la différence entre avoir du style et être stylé”—between having style and being styled. Lee avoided the trap of over-accessorizing; instead, she let each piece breathe, allowing the fabric of her outfit to shine alongside the sparkle of her jewelry.
The Mood: Quiet Confidence in a Sea of Drama
Lee’s pose—shoulders back, hands relaxed at her sides—exuded the kind of poise that comes from knowing you don’t need to shout to be heard. Her hair was sleek and straight, framing a face with natural makeup (soft blush, nude lips) that let the outfit take center stage. It was a reminder that red carpet style isn’t just about clothes—it’s about attitude. As I’ve noted in my coverage of Paris Fashion Week 2024, the biggest trend of 2025 isn’t loud prints or towering heels—it’s quiet confidence . Lee’s look embodied that perfectly: she didn’t need a ballgown to make a statement—she just needed to wear what she had with grace.
Why This Look Matters (And How to Copy It)
Lee’s choice of The Row is telling: this is a designer beloved by celebrities who value both aesthetics and ethics (The Row is known for its sustainable practices). Compare this to the over-the-top gowns of last year’s Venice Film Festival, and you see a shift toward understated elegance—a trend I’ve been tracking since Chanel’s Fall 2024 couture show, where Virginie Viard sent models down the runway in deconstructed tweeds and minimal silhouettes. For readers looking to emulate this style, the key is balance:
- Invest in a well-tailored base : Wide-leg pants and a structured top are timeless.
- Choose one statement accessory : A bracelet or ring (not a necklace) keeps the look focused.
- Embrace mixed metals : Platinum and gold add depth without clashing.
- Play with texture : Sequins, crepe, and enamel bring visual interest to minimal outfits.
- Keep hair and makeup sleek : This look relies on clean lines—avoid overly dramatic styles.
In a sea of loud dresses and towering heels, Greta Lee’s look stood out for its subtlety. It proved that you don’t need a ballgown to make a statement—you just need to know how to wear what you have. As we head into fall 2025, this blend of minimalism and glamour will undoubtedly dominate red carpets and street style alike. And as for Lee? She’s already cemented herself as a style icon—proof that sometimes, less really is more.
Greta Lee stunned in a custom Dior mini-dress with a plunging neckline and exaggerated bow at the 2025 Venice Film Festival “A House of Dynamite” premiere. The forest green and black silk look reimagined the timeless femme fatale archetype for modern red carpet glamour.
The red carpet at the 82nd Venice International Film Festival is a stage where history and modernity collide—and on September 2, 2025 , Greta Lee stole the show in a custom Dior look that reimagined the timeless femme fatale archetype for a new era. As she posed for photographers in a forest green and black silk mini-dress with an exaggerated bow and plunging neckline, it was impossible not to think of the golden age of cinema: Lauren Bacall in To Have and Have Not , Barbara Stanwyck in Double Indemnity —women whose wardrobes were as much a character as their dialogue. But Lee’s look, crafted by newly appointed Dior creative director Jonathan Anderson, wasn’t a copycat. It was a reinvention—one that married sinuous lines with a modern mystique, proving that the femme fatale’s allure is eternal, even as her style evolves.
Outfit Focus: Couture Drama Meets Modern Sensuality
Anderson’s first major outing for Dior (his debut women’s show launches October 2025) delivered a look that felt both familiar and fresh—an ode to the house’s legacy of romantic drama, but with a 21st-century edge. The centerpiece was a custom mini-dress in a rich forest green and black silk blend, its fabric draping like liquid over Lee’s frame. The silhouette was a masterclass in contrast: a fitted bodice with a plunging V-neckline (echoing 1940s glamour) gave way to a voluminous, cocoon-like back—think the bubble-hem trend seen on Emma Stone at Cannes, but dialed up to 11. The most striking detail? An exaggerated bow with floor-length ribbons that cascaded down the front, tying at the waist to create a structured-yet-fluid shape. It was theatrical without being over-the-top, a balance Anderson has perfected in his tenure at Loewe and now Dior.
The dress’s texture played a pivotal role: the silk’s sheen caught the Venetian sunlight, while the black panels added depth—like a shadow moving across a canvas. And let’s talk about the legs: a thigh-high slit on one side (paired with a matching black satin panel) added a modern, edgy twist to the otherwise romantic silhouette. It was a risk, but Lee pulled it off—proving that couture doesn’t have to be conservative to be powerful.
Styling Cohesion: Minimal Jewelry, Maximum Impact
Where the dress was bold, the accessories were understated—proof that less is often more on the red carpet. Lee paired her Dior look with Tiffany & Co. jewelry , including a delicate diamond necklace, a stack of rings (the Schlumberger Two Bees ring and Stitches ring, both in platinum and gold), and banana dot ear clips. The pieces added a touch of sparkle without competing with the dress’s drama; the diamond necklace, in particular, drew attention to her collarbone, complementing the plunging neckline.
Her hair and makeup were equally intentional: soft waves (styled by Jenny Cho) framed her face, while makeup artist Nina Park opted for a natural glow—subtle blush, nude lips, and defined brows. It was a look that said, “I’m here to command attention, but I don’t need to scream for it.”
Stylist Danielle Goldberg (who also works with Ayo Edebiri and Zoë Kravitz) deserves credit for curating a look that felt both cohesive and daring. The black Dior pumps—with a pointed toe and slim heel—added height without overwhelming the silhouette, while the satin panel on the skirt echoed the dress’s black accents. Every detail, from the way the ribbons fell to the angle of the slit, was calculated to tell a story: a woman confident in her power, unafraid to embrace both vulnerability and strength.
The Cultural Resonance: Why the Femme Fatale Still Matters
Costume designers like Milo Anderson ( To Have and Have Not ) and Edith Head ( Double Indemnity ) understood that a woman’s wardrobe could be a weapon—or a shield. They used clothing to convey mystery, confidence, and danger, turning everyday garments into symbols of female agency. Lee’s Dior look does the same. The plunging neckline isn’t just sexy; it’s a statement of ownership. The bow isn’t just decorative; it’s a nod to the theatricality of old Hollywood, reimagined for a generation that values both style and substance.
Anderson’s choice to lean into this archetype is smart. After years of minimalism dominating red carpets, there’s a hunger for drama— bold drama. And Lee, with her quiet intensity, is the perfect muse. She doesn’t just wear the dress; she inhabits it, making the femme fatale feel alive again. As one (fictional) industry insider might say: “Greta doesn’t just step onto the red carpet—she owns it. And this Dior look? It’s a masterclass in how to make history feel new.”
How to Channel the Look (Without the Couture Budget)
Want to channel Lee’s femme fatale energy? Here’s how:
- Embrace Contrast : Pair a structured top (like a blazer or cropped jacket) with a flowy skirt or shorts. The tension between rigidity and fluidity is key.
- Add a Statement Accessory : A bold necklace or earrings (think Tiffany’s Schlumberger collection) can elevate a simple outfit. Less is more—choose one focal point.
- Play with Texture : Mix silk (for drama) with cotton or linen (for casual cool). The contrast adds depth without clutter.
- Confidence is Key : The best accessory you can wear? Self-assurance. Lee’s posture and expression sell the look more than any garment ever could.
In a world where trends come and go, the femme fatale endures—and Greta Lee’s Dior look proves why. It’s a reminder that fashion isn’t just about clothes; it’s about storytelling. And sometimes, the most powerful stories are the ones that echo through time.
References
- Dior’s Fall 2025 Collection Preview
- Tiffany & Co. Schlumberger Collection
- Venice Film Festival Official Site
Greta Lee—ever the minimalist provocateur—brought crisp tailoring and quiet luxury to Venice, turning a simple photocall into a masterclass in modern celebrity style.
There’s something about Greta Lee that makes restraint feel radical. At the Late Fame photocall during the Venice Film Festival on August 30, 2025, Lee stepped out at Hotel Excelsior in a look that whispered elegance but landed like a sartorial mic drop. No theatrics, no embellishment—just pure, distilled chic.
The outfit, a pristine white skirt suit from Dior’s Spring 2026 collection, played with proportion in all the right ways. The jacket, sharply tailored with a subtle nipped waist and structured shoulders, balanced the flirtier hemline of the mini skirt—a silhouette that nodded to 1960s mod but felt unmistakably now. The fabric, likely a silk-wool blend, held its shape with quiet authority, catching the light without stealing it.
Accessories were chosen with surgical precision. Lee carried the Lady Dior bag—also from the Spring 2026 line—in matching ivory, its signature cannage stitching adding just enough texture to break the monochrome. Her shoes, white high-heeled pumps, extended the leg line and reinforced the look’s tonal purity. Tiffany & Co. diamond studs added a glint of old-school glamour, while Dior’s Diorpacific S3I 16I0 sunglasses gave the ensemble a flash of futurism—think Catherine Deneuve meets Blade Runner.
And while the Venice Film Festival is known for its high-octane premieres and couture drama, Lee’s moment stood out precisely because it didn’t try too hard. It was a reminder that celebrity style isn’t always about spectacle—it’s about precision, presence, and knowing when to let the clothes speak.
