Gwendoline Christie appears in a sheer black look during a studio shoot for the 2026 Pirelli Calendar.
For the 2026 Pirelli Calendar , Gwendoline Christie is captured in a behind-the-scenes editorial moment that fuses celebrity photoshoot-coded sculptural softness with fashion spread-coded lighting precision , staged in a studio environment defined by neutral backdrops and high-output illumination.
Christie wears a sheer, flowing dark garment , seated on a glossy black surface , framed by a large overhead light being adjusted by a crew member. The composition leans into studio portrait-coded spatial restraint , where shadow and translucency co-author the visual rhythm. Her posture—elevated and composed—reinforces the editorial’s beauty shot-coded emotional fluency , while the visible equipment and lighting rigs introduce behind the scenes-coded production realism .
Luisa Ranieri appears in a sheer embellished look under stage lighting for the 2026 Pirelli Calendar.
For the 2026 Pirelli Calendar , Luisa Ranieri is captured in a behind-the-scenes editorial moment that fuses celebrity photoshoot-coded theatrical immersion with fashion spread-coded spatial tension , staged under professional lighting rigs in a studio setting that evokes performance logic and cinematic stillness.
Ranieri wears a sheer, embellished outfit , seated in the foreground with two collaborators standing behind her—one in a dark long-sleeve shirt, the other in a green polo. The lighting—angled and dramatic—reinforces the editorial’s beauty shot-coded emotional precision , while the crossed arms and contemplative expressions introduce studio portrait-coded narrative layering . The visible rigging and stage equipment lean into behind the scenes-coded production fluency , where fashion becomes a vessel for presence and process.
Irina Shayk appears in a dynamic red fabric shoot for the 2026 Pirelli Calendar, captured mid-production.
For the 2026 Pirelli Calendar , Irina Shayk is featured in a high-production editorial that fuses celebrity photoshoot-coded kinetic styling with fashion spread-coded spatial choreography , captured mid-pose on a platform surrounded by translucent red fabric manipulated by crew members.
Shayk wears a flowing red garment , styled to emphasize movement and silhouette against a stark white backdrop. The fabric—held and shaped by assistants—creates a sculptural halo effect that leans into styled shoot-coded visual dynamism , while the surrounding production elements (monitors, lighting rigs, camera operators) reinforce the editorial’s behind the scenes-coded compositional infrastructure . Her posture—elevated and expressive—anchors the frame in beauty shot-coded emotional fluency , where fashion becomes a performance of presence.
