Haifa Wehbe wears multiple high-fashion looks in GQ Middle East’s November 2025 editorial feature.
In the November 2025 issue of GQ Middle East , Haifa Wehbe appears in a multi-look editorial that fuses celebrity photoshoot-coded tonal drama with fashion spread-coded spatial precision , captured across a series of studio-lit compositions that reframe glamour through sculptural styling and editorial clarity.
On the cover , Wehbe reclines on a segmented black leather couch wearing a black corset-style outfit , styled with long waves and a composed gaze. The look leans into studio portrait-coded silhouette control , while the minimal background reinforces the spread’s beauty shot-coded compositional restraint .
Inside the editorial, she transitions through several distinct outfits:
- A tiger-stripe bodysuit in shades of brown and black, styled with loose waves and a relaxed pose, evokes high fashion-coded texture fluency , framed by dramatic lighting and a segmented chair.
- A white mesh top with feathered cuffs paired with a feathered skirt and rhinestone-adorned heels , styled against a vertical light beam, introduces styled shoot-coded contrast logic , where transparency and texture co-author the visual rhythm.
- A beige and black mermaid silhouette gown with cut-out waist detailing, paired with long black gloves , staged against a gradient backdrop with light streaks, channels editorial-coded sculptural tension , where pose and proportion converge.
This editorial aligns with the current mood of magazine cover-coded tonal storytelling reframed for regional iconography . The tiger print nods to early-2000s animal-coded power dressing , the feathers to mid-2010s couture-coded volume logic , and the gloves to 2020s fashion photoshoot-coded theatricality . In the context of a multi-look spread—where persona and styling evolve across frames—Wehbe’s presence reads as both expressive and grounded, a fusion of celebrity photoshoot-coded silhouette fluency and fashion photoshoot-coded emotional resonance , where style becomes a vessel for rhythm, recognition, and editorial immersion.
Benedetta Porcaroli wore a black cutout top and blue asymmetrical skirt at GQ Men of the Year Milan.
At the GQ Men of the Year Awards 2025 in Milan on November 27 , Benedetta Porcaroli appeared in a look that fused red carpet fashion-coded silhouette contrast with celebrity look-coded tonal clarity , captured against a branded red backdrop featuring event partners and supporters.
Porcaroli wore a black top with a heart-shaped cutout , paired with a blue asymmetrical skirt , black sheer tights , and black pointed-toe heels . She accessorized with a tan handbag , red lipstick , and minimal jewelry . The cutout detail introduced a layer of fashion moment-coded sculptural punctuation , while the skirt’s asymmetry leaned into designer outfit-coded directional styling . Her stance—centered and composed—reinforced the editorial’s red carpet arrivals-coded compositional fluency , framed by logos from Jeep, Philip Watch, and Tagliatore.
Taylor Momsen wore a festive red and black outfit while riding a holiday float at Macy’s Thanksgiving Parade.
At the 2025 Macy’s Thanksgiving Day Parade in New York City on November 27 , Taylor Momsen appeared in a look that fused event appearance-coded holiday theatrics with media event-coded tonal boldness , captured mid-wave atop a glittering float shaped like a giant rocking horse.
Momsen wore a black fur coat layered over a red sequined skirt , styled with a Santa hat , red gloves , and a matching red scarf . The ensemble leaned into celebrity event look-coded festive maximalism , while the accessories introduced a layer of press event style-coded chromatic cohesion . Her pose—arm raised and smiling—reinforced the editorial’s public appearance-coded celebratory clarity , framed by urban architecture and leafless trees that signaled the seasonal setting.
