Hailey Bieber wore a cropped leather jacket with fur trim, straight-leg blue jeans, and a white tee in West Hollywood on February 3, 2026.
There’s something about the way Hailey Bieber does minimal that never feels basic. It’s casual, yeah — but not casual for the rest of us. Case in point: on February 3, 2026, she was spotted leaving Sushi Park in West Hollywood looking like she’d stepped out of a quietly expensive 2003 reboot.
She wore a cropped black leather jacket with bold fur trim on the collar, cuffs, and down the front — seriously sharp, like modern biker meets Upper East Side. Underneath? A plain white baby tee , no logos, rolled up just enough to flash a sliver of abs. The jeans were mid-wash blue denim , straight cut, mid-rise — no stretch, no tricks. Just old-school Levi’s energy.
Her tiny black sunglasses and razor-straight center part brought a chill menace to the whole look. It says: Yes, I’m famous. No, you can’t talk to me. Probably Balenciaga, but no labels in sight.
This outfit works because it commits. The cropped jacket plays rough against the softness of the fur. The tee tones it all down. The denim keeps her grounded. This is how you do celebrity street style when you want to be photographed… but not look like you cared.
Some wear leather to look edgy. She put it on like it was a second skin.
La La Anthony wore a belted black leather coat and matching leggings to the Relationship Goals screening in New York City on February 3, 2026.
There was no missing La La Anthony at the Relationship Goals screening on February 3, 2026, in NYC — not in that outfit, not in that lighting. She made nighttime black leather feel fluorescent.
She wore an all-black leather ensemble that hit somewhere between Matrix armor and sculptural elegance. The top? A structured longline belted coat , glossy finish with padded shoulders and plural seams giving it depth. Sleeves slightly ruched, collar slick, the belt cinched tight but loose enough to move. No fussy belts or stylized zippers — just serious shine built into something that behaves almost like sculpture.
The pants matched — tight, high-shine leather leggings that blended so seamlessly with the jacket it almost felt like a one-piece. The monochromatic finish owned the look, with no color pop, no break. There’s danger in doing all-black leather in February, especially for an event appearance , but this didn’t try to soften that. It leaned into it.
Minimal accessories. Chunky gold hoops barely visible under her high pony. Fingertips painted clean. Even her smile, sharp and wide, felt styled. This wasn’t your average red carpet glam — this was tactical fashion. Assertive. Built to stand still and be seen.
In monochrome leather at night, La La didn’t blend in. She flooded the frame.
Natasha Blasick wore a black strapless cutout gown with white bows to the Dracula premiere at TCL Chinese Theatre on February 3, 2026.
There’s something so intentionally playful about this — like Halloween came early, but polished. Natasha Blasick hit the Dracula premiere outside the TCL Chinese Theatre in L.A. on February 3, 2026, and brought drama with just the right amount of tongue-in-cheek.
The dress? A strapless black floor-length gown with five oversized white bows running diagonally across the leg. Not fake bows printed on, but sculpted satin drama stitched right into the open side cutouts — from hip to hem. And yes, it reveals actual leg all the way up, spaced between tied ribbons like gift wrap gone rogue.
The silhouette is simple, but the details do the talking. Her styling is smart: clean black clutch , clear-strapped minimalist heels , and no necklace to break the neckline. Instead, the focus stays exactly where it should — on those bows and that super-high slit.
Hair is long, dark, and parted down the middle — understated against a dress that’s having all the fun. The whole thing doesn’t look overly styled. She’s clearly in on the outfit’s own ridiculousness, which makes it work even harder.
It’s not edgy. It’s not classic. It’s not subtle. It’s fun, weird, and weirdly effective.
The red carpet needed this kind of unserious.
