Halle Berry and Rachel McAdams wore black and floral dresses for the Graham Norton Show TV appearance on January 29, 2026.
January 29th brought a casual kind of energy to BBC Studioworks 6 on Wood Lane. Onscreen, Halle Berry , Rachel McAdams , and Chris Hemsworth settled in for their chat on The Graham Norton Show , outfits playing somewhere between red carpet polish and couch-ready ease. This was less about high-concept fashion, more about event appearance clarity—how to dress when you know millions are watching… but you’re also just sitting with a glass of wine on a red sofa.
Halle’s look did all the work up front. A body-skimming black dress, covered in large red floral prints , paired with sheer black sleeves that hinted at old-school vamp but never went flat-out gothic. Sleeves pushed slightly up. Rings on both hands. Hair down—wavy, glossy, hovering right above the clavicle. The neckline: deep, but not desperate. She looked anchored.
Next to her, Rachel chose control over distraction. A clean, strapless black dress , softly pleated at the bust. The shape held its own without embellishment. Hair worn long over one shoulder in fluid waves. Pale nail polish, delicate jewelry. It’s the kind of look that doesn’t chase trends but locks into the moment. Thoughtful, but not performative.
Hemsworth crossed it all up—slouchy taupe overshirt, white tee, worn trousers, and a tag necklace. Easy. Relaxed. It somehow worked. Opposite him, comedian John Bishop stuck to navy-on-denim, which blended into the set’s cool tones almost too well but kept the focus on the guests.
What’s interesting here? No one came dressed to shock or trendjack. It’s a reminder that the smart version of public style isn’t always about fashion—it’s about knowing when to step back and let presence do the job.
Jewel Kilcher wore a black embellished mini dress with sculpted sleeves at the Zuhair Murad Spring 2026 couture show in Paris.
At Paris Fashion Week, Jewel Kilcher stepped out for the Zuhair Murad Haute Couture Spring/Summer 2026 show with clear intent: subtle power. No theatrics. Just a clean, quietly-constructed look that held its own, even surrounded by chandelier drama and mirrored stone floors humming with candlelight reflections. This was not a showy entrance—it was a steady one.
She wore a black mini dress , tailored close but not suffocating, with firm shoulder structure and gold stud accents scattered with eerie symmetry. The sleeves, long and sculpted, featured precise cutout slashes near the elbows—calculated and sharp, but nothing frilly. You got the sense every dart and seam had a purpose. Shoes? Sleek black pointed heels. Hair was pulled back neatly, unbothered. Her event appearance didn’t push a trend, didn’t reference a decade, didn’t collapse under a label. It just looked… ready.
The celebrity event look quietly aligned with a rising mood across couture weeks lately—less about costume, more about command. Less peacocking, more presence. When the dress doesn’t beg for attention, you start paying it more.
Zainab Azizi wore a structured black gown with soft waves and metallic accents at the Send Help UK premiere on January 29, 2026.
At the UK premiere of Send Help on January 29, 2026, Zainab Azizi appeared beneath towering palms and low red lighting at the Odeon Luxe Leicester Square , standing on a patch of sand that felt more Miami than Mayfair. Her choice of attire, though, rejected kitsch or tropical overkill. Instead, she grounded herself firmly in noir elegance: a strapless black gown , cut clean through the bodice with architectural restraint, widening quietly into a soft mermaid silhouette at the hem. No visible embellishment. No frills. The fabric—most likely satin or another mid-shine textile—read almost sculptural.
What really set the tone was the confidence of restraint. Zainab didn’t load the look with accessories, but what she wore mattered. Bold gold statement earrings , a wide metal cuff , and rings that echoed warm metallics—all providing punctuation, not noise. Her hair—long, glossy waves , parted off-center—felt studied but not stiff. Her makeup , too, avoided trend-chasing. Think: firm brow, delicate smokey eye , warm bold lips veering just shy of berry. Not trying to prove anything. Just composed. A beauty look meant to hold under spotlights and in shadows.
There’s a quiet shift in how some actors now approach the red carpet beauty game. Instead of competing for viral moments, they lean into lasting impact—choosing silhouettes, textures, and finishes that feel more personal than promotional. This look isn’t about serving the camera; it’s about knowing the camera will come anyway.
