Hannah Einbinder is an understated fashion force, and her post-Emmy afterparty style proves it.
The night may have been about celebrating a season of exceptional television, but Hannah Einbinder proved the celebration itself is an art form. After a winning night for Hacks , Einbinder commanded the room at the Emmy afterparty, first in a striking black mini dress that was both playful and powerfully chic. The mini dress, with its plunging, scooped neckline and thick straps, offers a silhouette that is both classic and contemporary, a perfect frame for the evening’s main accessory—a freshly won Emmy trophy. The black and white photography of the moment captures the pure elation of her win, a confident smile, and an effortless, minimalist aesthetic. A single, elegant bracelet on her wrist adds a touch of simple sparkle.
Later, Einbinder transitioned into an equally captivating, floor-length gown that made a statement of its own. The one-shoulder silhouette is a study in texture, featuring an intricate black and white pattern that appears to be a floral or lace motif cascading down the skirt. The mermaid-style fit hugs her form before flaring out into a dramatic train, a subtle nod to old Hollywood glamour. Her hair, in a chic bob, remains sleek and undone, keeping the focus on the dresses and the triumph of the night. This is dressing not for the red carpet, but for the victory lap—unfiltered, joyful, and effortlessly stylish.
What is fashion but the armor we wear for our greatest moments? Hannah Einbinder’s afterparty looks felt less like a costume and more like a true extension of her spirit. To explore more memorable moments of triumph on the red carpet and beyond, check out our selection of stunning celebrity photos .
Emilia Jones delivers a masterclass in minimalist tension—red meets purple, structure meets softness, and Heroine’s October issue gets its cinematic moment.
There’s a quiet storm brewing on the cover of Heroine Magazine ’s October 2025 issue—and Emilia Jones is at its eye.
Seated against a stark white backdrop, Jones wears a crimson red dress that feels sculptural yet wearable. The high neckline and long sleeves suggest restraint, while the wide purple belt cinching her waist introduces a jolt of unexpected color theory—think Yves Klein meets Valentino red, with a dash of editorial defiance.
The silhouette evokes mid-century couture—structured, deliberate, and unapologetically formal. Yet the styling resists nostalgia. Her black heels, punctuated by pink accents, add a whisper of rebellion to an otherwise composed palette. No jewelry, no distractions—just pure form and color.
Jones’s pose is quietly commanding: legs crossed, gaze steady, body language that says “I know exactly what I’m doing.” The lighting is flat and clinical, allowing the saturated tones to speak without interference. It’s a visual strategy often used in Heroine ’s covers—where the subject becomes both canvas and brushstroke.
Hair and makeup are kept intentionally muted—likely slicked back or tightly styled, with a bare-faced finish that lets the outfit do the talking. The result? A cover that feels more like a still from an arthouse film than a fashion shoot.
For more editorial moments like this, explore our celebrity fashion archive.
Gwendoline Christie channels a new kind of power dressing—one that’s both soft and sharp—for the Apple TV+ Emmys party, trading a gown for a pastel suit that breaks all the rules.
Gwendoline Christie’s red carpet presence is always an event, and her appearance at the Apple TV+ Primetime Emmy Party proved to be no exception. Eschewing the traditional formal gown, Christie debuted a made-to-measure Haider Ackermann for Tom Ford double-breasted suit in a delicate, almost ethereal blush pink. The fabric, a light-catching sequin, gave the ensemble a celebratory shimmer, a texture that played against the clean, tailored lines of the suit. The trousers were cut with a confident, wide leg that pooled slightly over her shoes, while the jacket’s sharp, structured shoulders provided a sense of architectural strength.
The styling, as is often the case with Christie, was both bold and precise. She paired the pale pink suit with Tom Ford cherry smoke ankle-strap pumps, their pointed toe and deep, rich color providing a grounding contrast to the suit’s softness. A statement red lip brought a jolt of color to her face, drawing attention to a bold makeup choice that defied conventional red carpet norms. Her platinum blonde hair was pulled back into a sleek, high chignon, emphasizing the strong lines of the suit and the poise of her stance.
