Heidi Klum wore a sheer black shirt and matching skirt with pumps at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14 for the Infinite Icon: A Visual Memoir premiere, Heidi Klum arrived in a look that leaned into precision — cool, stripped, calculated. She wore a sharply cut black sheer shirt paired with a matching translucent skirt, both sliced from weightless fabric that draped and revealed in equal measure. Beneath, a fitted underlayer created just enough structure to stop the transparency from feeling careless.
It’s an outfit that plays with office formality — collar, buttons, cuffs — but drains the power suit of its armor, replacing stiffness with air. Against the deep pink backdrop, the black fabric glowed matte, never shiny. Her long blonde hair, loose and slightly tousled, kept the geometry from stiffening. Classic pointed-toe pumps anchored the look, understated and practical.
Anna Paul wore a rose-gold satin dress with tie straps and minimal sandals at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14, Anna Paul arrived for the Infinite Icon: A Visual Memoir premiere with the sort of confidence that doesn’t need theater. She wore a draped rose-gold satin dress that caught light like calm water — soft, reflective, quietly confident. The dress, tied at the shoulders with slender ribbons, eased down to a fluid hem that landed just above her ankles. A layered touch of shimmer across the fabric gave movement even when she stood still.
She kept the styling fresh: delicate chain anklets, thin-strap black sandals, and a shimmering clutch that echoed the metallic tone of her gown without matching exactly. Her hair, swept up into a loose top-knot framed by natural strands, softened the formality of the fabric, creating that balance between poise and ease.
Olga Obumova posed in a white off-shoulder top, vintage-wash jeans, and sneakers for a minimal studio photoshoot in January 2026.
Inside a minimal studio setting, Olga Obumova sits casually in a curved black armchair, the whole composition stripped down to essentials — light, shape, quiet attitude. She wears a white off-shoulder top that billows softly around her chest, the fabric gathered like folded paper, while straight-cut vintage jeans fall loosely over white sneakers laced in navy blue. The look is easy, everyday, unhurried.
Her hair is left natural, wavy and slightly uneven, while her expression — somewhere between curiosity and calm — feels spontaneous, not styled. The entire image plays with that friction between softness and geometry: the clean horizontal of her posture pressing against the dark rounded furniture, the airy top against the weight of denim. The photograph feels modern in its restraint and nostalgic in its tone — like a memory dressed in neutral light.
