Hilary Duff wore a ruffled sleeveless top with charcoal wide-leg trousers while stopping for ice cream in Los Angeles, February 2026.
Some days it’s just a cone, a car door, and soft tailoring. Hilary Duff was seen outside Bacio Di Latte in Los Angeles, February 4, balancing napkins, dessert, and that fine line between comfortable and styled .
The look? Quietly sculptural. A sleeveless ecru top , ruched and tiered with soft waves—everything about it intentional in texture, but easy in tone. It hits just at the waistband, not tucked or cinched, left to breathe. Paired with wide-legged charcoal trousers , high-waisted, loose to the ankle, and structured enough to avoid collapsing. The pants carry weight. Literal and visual. They say “I didn’t feel like jeans,” without yelling about it.
On foot: black pointed shoes , polished but not attention-hungry. Hair styled down, soft waves, and skin left fresh. No oversized glasses, no performative accessories. Just her, mid-movement, with a cupcake.
This is the kind of celebrity street style that offers texture over trend. Call it post-twee practicality—ruffles for the real world, not the runway.
You clock this look not because of what it shows—but for what it lets go of.
Frédérique Bel wore a textured ivory coat over a lace-trimmed white dress with black accessories at the Wuthering Heights Paris premiere.
At the Paris premiere of Wuthering Heights , Frédérique Bel showed up dressed like the ghost of an heiress who never fully left the English countryside. There’s a kind of puckish drama here—all soft tones, stiff boots, and a hat that’s giving Wuthering cosplay in the chicest way.
She’s wearing a textured off-white coat , part-bouclé, part-faux fur, with pocket flares that look like they were built for petting. The cut is long, softly tailored, and worn open over a white lace dress that brushes just past the knee. The waist is cinched with a black waistband , grounding the brightness and keeping it from floating off into costume territory.
And then— the black patent ankle boots , laced up, heeled, slightly witchy. That touch alone stops it from being frothy. Add a black wide-brimmed felt hat and everything sharpens: sweet turns structured, winter white gets an edge. Hair down and straight, makeup soft with flushed tones. Nothing overly styled, except the effect.
This is the sort of red carpet fashion that isn’t reaching for trend—it’s speaking in silhouette, teasing a story, and doing it with texture as the main character.
The look lands because it feels aware of the setting, yet still a step removed—like she brought her own weather.
Odessa Young wore a black halter mini dress with lilac tights and pointed heels at the Dior Addict Sweet Shop Party in Los Angeles.
At the pastel-drenched Dior Addict Sweet Shop Party in Los Angeles, Odessa Young walked the line between minimalist and surreal in a sharp, almost severe black halter mini — then pulled the entire look sideways with a single jolt of color: lilac tights . Not pale, not lavender. Cartoon-clarity purple . Saturated and unexpected against a sea of pink walls and candy-box props.
The dress itself is all restraint. High-neck, sleeveless, with a clean A-line cut that hugs enough to suggest shape, but doesn’t cling. No jewelry shouting for attention, just a light bracelet on her wrist and barely-there makeup. Hair lightly waved, center-parted, loose the way you do it when you don’t want to look “done.” But it’s the tights that flip things. They carry the whole weight of intention — playful, awkward, irreverent. And suddenly, it makes sense.
Black pumps ground it all, sharp in silhouette but quiet. There’s humor here — deliberate or accidental — and that’s what saves it from slipping into generic cocktail territory. This wasn’t a look built around polish. It’s cooler than that.
This is one of those event appearances that earns a second glance not because it screams, but because it shrugs so confidently.
Sometimes all it takes is one wrong-color stocking to make a perfectly clean outfit feel like style, not styling.
