Imogen Poots wore a strapless burgundy velvet gown with a high neckline and fitted silhouette at the BFI London Film Festival premiere of The Chronology of Water on October 16, 2025.
On October 16, 2025, Imogen Poots attended the BFI London Film Festival premiere of The Chronology of Water , arriving in a look that epitomized understated glamour. She wore a dark burgundy velvet gown , strapless yet designed with a high neckline and fitted silhouette that elongated her frame. The gown’s rich velvet texture caught the light with subtle depth, creating a sense of quiet luxury rather than overt spectacle.
Her styling was kept minimal, with loose hair framing her face and no visible statement jewelry, allowing the gown’s fabric and structure to remain the focal point. The choice of velvet, a fabric long associated with cinematic elegance, underscored the gown’s resonance with the festival setting.
Addison Rae wore a sparkling silver one‑sleeve sequined dress during her Addison Tour photoshoot performance in October 2025, delivering a glamorous and high‑energy fashion moment.
In October 2025, Addison Rae showcased her signature blend of glamour and performance energy during a photoshoot on the Addison Tour , stepping into the spotlight in a sparkling silver dress . The gown featured a single sequined sleeve on the left arm , a fitted silhouette, and a shimmering finish that caught the stage lights with every movement.
The look was paired with a headset microphone , underscoring the synergy between fashion and performance, while her backup dancers in crisp white outfits amplified the contrast and drama of the scene. The combination of sequins, asymmetry, and stage‑ready styling made the dress both a designer outfit and a performance costume , blurring the line between couture and concert wear.
Monica Barbaro wore a Dior Spring 2026 white pleated gown with floral embellishments and Aquazzura Artiste pumps at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Monica Barbaro attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that blended architectural volume with romantic detailing. She wore a Dior Spring 2026 gown , a voluminous white pleated design with thin straps, floral embellishments, and black ribbon accents near the hemline . The gown’s sculptural silhouette and textural play gave it a couture presence, while the floral appliqué introduced softness and femininity.
She paired the gown with Aquazzura Artiste pumps , a sleek black pointed‑toe design that echoed the ribbon detailing on the dress, grounding the ethereal volume with sharp precision. Her styling was minimal, with neatly styled hair and understated jewelry, ensuring the gown’s artistry remained the focal point.
This appearance reflected the 2025 fascination with voluminous couture gowns , where pleating and architectural silhouettes dominate red carpet arrivals . Dior’s Spring 2026 collection has been noted for its exploration of sculptural femininity , and Barbaro’s choice aligned seamlessly with this ethos.
In the broader context of red carpet fashion , her look exemplifies how stars now embrace designer outfits as both performance and presence . By selecting a gown that merged structural innovation with romantic embellishment, Barbaro reinforced her reputation for fashion moments that balance drama with delicacy , ensuring her presence was among the best dressed of the evening .
