Irene Choi attended HBO Max’s The Pitt premiere at DGA Theater in Los Angeles on January 7, 2026, wearing a shimmering brown gown.
Los Angeles, January 7. Irene Choi on the carpet, hands clasped, posture steady. A long gown, shimmering brown, sheer elements catching the light. Sleeves extended, neckline asymmetrical, cut unusual but deliberate.
Her look: not loud, not overworked. Fabric glints under the spotlight, but the design leans into restraint. Hair neat, makeup soft, the whole presence balanced. No fuss, no excess. Just a gown that moves between subtle shimmer and quiet structure.
Meta Golding attended HBO Max’s The Pitt premiere at DGA Theater in Los Angeles on January 7, 2026, wearing a strapless black dress.
Los Angeles, January 7. Meta Golding on the carpet, backdrop marked with HBO Max lettering. A strapless black dress, cutout detail below the bust, fabric sleek and fitted.
Her look: minimal but sharp. Black pointed‑toe heels, sparkle catching at the tips. A clutch in hand, small, black, understated. Hair neat, makeup balanced, the whole presence deliberate. No fuss, no excess. Just a dress that leaned into structure and restraint.
Sasha Pieterse wore a sheer nude Etro dress with black paisley prints and strappy heels at the Netflix premiere in Los Angeles on Tuesday.
Sasha Pieterse arrived at the Egyptian Theatre on Tuesday, standing against a wall of aggressive Netflix orange that threatened to swallow anyone wearing a subtle color. Pieterse, wisely, chose not to be subtle. She wore a sheer, floor-length sheath by Etro, a garment that functioned less like a dress and more like a full-body tattoo. The mesh fabric was nude, clinging to the skin, while the pattern—a frantic, inky black paisley—swirled from neck to hem. If you squinted, or even if you didn’t, the brand’s name “ETRO” was visible, woven brazenly into the print across her chest like a luxury name tag.
