Iris Apatow and Coco Arquette attended the Veronica Beard and CFDA Scholarship Endowment Event in New York on February 3, 2026.
At the Veronica Beard and CFDA Scholarship Endowment gathering in New York, Iris Apatow and Coco Arquette kept things soft, clean, and quietly expressive. No posturing. No overdressing. Just two young women with a clear grip on their personal aesthetic—and no rush to scream it.
Coco Arquette: Soft Bits of Vintage Memory
On the left, Coco brought something sweet that whispered 1960s Sunday-morning television—a cream lace mini dress covered in cotton florals and scalloped at the hem. It’s long-sleeved, fully lined, and softly boxy through the shape—more shift than sheath. Beneath? White opaque tights that feel almost cartoon-cute in their opacity. The look is grounded in black patent Mary Janes , modest in heel, round in toe.
Her only accessory—a structured white top-handle bag —feels like something borrowed from a grandmother’s front closet. Hair worn proper. Slightly flipped under. The whole thing could have gone too precious. But it doesn’t. There’s a wink buried there somewhere beneath the polish.
Iris Apatow: Relaxed, Sharpened, Neutral Clarity
Iris, on the right, drifted toward the tailored end of the event appearance spectrum. She wore a loose beige pantsuit , the jacket classic single-breasted but slumped ever so slightly at the shoulders and cuff, like it had already survived a long day—or was meant to look like it had. Underneath: a plain white tank , fitted. Nothing trying too hard. The pants are wide, near pooling, and softly pleated at the waist with slouch more than structure.
Black platform derby-style shoes give the gesture just enough weight—not formal, not quirky, just present. She wore her hair down and unfussed. Makeup matte and rinsed. Earrings minimal. The whole look lands like a nod to New York 1995, but seen through today’s anti-loud lens.
Together, their looks sit in two opposing corners: one reaching back in decades, the other relaxing into the now—and both refusing to overwork the moment.
Lili Reinhart wore a burgundy lace dress with a keyhole neckline during her SCAD TVfest portrait shoot by Robby Klein in February 2026.
Shot under pastel arches and icy light, Lili Reinhart stands centered, tidy, styled—but not waxed into perfection. There’s movement in the stillness. Something quietly theatrical about the setup, yes, but her presence cuts through it all, grounded and self-knowing.
She wears a full-length burgundy lace dress fitted close, no embellishment fuss—just texture. The shape runs lean through the body, dropping to a subtle train with an uneven, slightly sheer hem. The neckline dips into a soft keyhole cut , crowned by a lace rosette at center chest that feels more vintage brooch than ornament.
Shoulder caps lean almost fluttery, like the dress is toying with romance but keeping it dry. Footwear—a pair of rich burgundy stacked heels , tonal and simple. Nothing distracts. Her hair is up: clean, blunt part, soft bun. Earrings are traded out for nothing. Makeup stays satin-finished, resistant to both gloss and grit.
This was a quiet photoshoot moment—not high-concept, not overcooked. But it finds its power in stillness, in a silhouette that holds.
She’s not trying to reinvent the format—just showing up clear-eyed, wearing lace like it’s skin, not theater.
Liberty Poole wore a burgundy vinyl jumpsuit with a deep halter neckline and black pointed heels at the GHD Speed Launch Event.
At the GHD Speed Launch Event in London, Liberty Poole brought shine, form, and full unapologetic energy. The kind of outfit that doesn’t care if it blends in or not—it’s built to cling, reflect, and own angles.
She wore a deep burgundy vinyl jumpsuit —glossy like cherry lacquer and molded to every curve. The halter cut drops into a deep, plunging neckline, front and center. Not just flirtatious—brazen. The material reflects every bit of light in the room, especially under the harsh flash of step-and-repeat lighting. The pants are seamless, spray-on tight to the ankle.
Shoes? Black pointed stilettos , classic and clean, adding height but not distraction. Accessories are minimal—just a pair of gold hoops , no necklace, no clutch. She doesn’t need adornment when the fabric itself is doing the talking. Hair is styled down in loose waves, tucked behind the ears with a slight ’90s gloss finish. The makeup reads warm—bronze and mauve on a whisper-pretty base, but it’s the vinyl that leads.
This is the kind of event appearance where body and shine say more than layering or complexity. It’s not innovating texture—it’s committing to one idea, loudly.
There’s no strategy here—just full-force presence wrapped in high-gloss confidence and a lot of skin.
