At The Smashing Machine premiere, Iryna Zhuravska’s off-the-shoulder gown fused gothic romance with floral restraint—think midnight garden meets red carpet poise.
There’s a kind of fashion that doesn’t scream—it murmurs, seduces, and stays with you long after the flashbulbs fade. On September 1st, 2025, Iryna Zhuravska stepped onto the red carpet at the Venice premiere of The Smashing Machine with a look that felt like a whispered spell. It was dark. It was romantic. And it was entirely her own.
Zhuravska wore an off-the-shoulder black gown with a flared skirt that moved like ink in water. The hemline was adorned with deep red floral embellishments—subtle, textured, and strategically placed to evoke a sense of blooming from shadow. The bodice was fitted, sculpting her frame with quiet precision, while the neckline exposed her shoulders in a way that felt both regal and relaxed. The fabric appeared to be a structured satin or taffeta, holding shape without stiffness.
Iryna Zhuravska didn’t just wear florals—she weaponized them in noir. For more red carpet looks that balance fantasy with finesse, explore our archive of celebrity style .
Isis Valverde’s embellished black gown at the Frankenstein premiere was pure cinematic glamour—strapless, sparkling, and tailored to turn heads without trying too hard.
There’s a certain kind of red carpet presence that doesn’t rely on theatrics—it’s built on poise, precision, and a gown that knows how to hold the spotlight. On August 30th, 2025, Isis Valverde arrived at the Venice premiere of Frankenstein with exactly that energy. Her look was classic, but not predictable. Elegant, but with edge.
Valverde wore a strapless, floor-length black gown that shimmered with circular embellishments—each one catching the light like a constellation. The silhouette was fitted through the bodice and hips, flaring slightly into a soft train that trailed behind her with quiet drama. The embellishments added texture and movement, turning a simple black dress into something magnetic. The fabric appeared to be a structured crepe or satin base, with reflective appliqués that gave it a starry-night effect.
Isis Valverde didn’t just wear sparkle—she made it cinematic. For more red carpet looks that balance tradition with texture, explore our archive of celebrity style .
Sara Luna Canola’s black gown at the A House of Dynamite premiere was pure red carpet classicism—elegant, unfussy, and delivered with a smile that lit up the Lido.
In a festival known for its fashion theatrics, Sara Luna Canola’s appearance at the A House of Dynamite premiere during the 82nd Venice International Film Festival was a welcome dose of timeless glamour. No gimmicks. No over-styling. Just a woman in a black gown who knew exactly how to wear it.
Canola’s gown was long, sleeveless, and cut with a clean, elongating silhouette. The fabric—likely silk or crepe—moved with subtle weight, catching the light without flash. The neckline was modest, the fit tailored, and the overall effect was one of quiet confidence. It was the kind of dress that doesn’t need embellishment because the wearer brings the sparkle.
