Isa Briones wore a black spaghetti-strap fringe dress with floral embroidery at the Warner Music Grammy Party on January 29, 2026.
At the 2026 Warner Music GRAMMY Party in Los Angeles, Isa Briones took a quiet but memorable detour from red carpet flash with one of the most grounded looks of the night. Nothing aggressive, nothing sculpted. Just elegant texture and slow, deliberate softness.
She wore a satin-black midi dress with a swingy, low-hung fringe hem . It hit right above the ankle, letting the strands move like threads that hadn’t been finished — or deliberately left unfinished. The neckline was scooped, narrow, held up by spaghetti straps. Not hyper-exposed, not buttoned up. Just placed.
What gave the dress its pulse was the embroidery. Clusters of florals — roses in red, pinks, creams — bloomed thoughtfully across the bodice and hip. Not scattered, not stitched for excess. Purposeful placement, like hand-touched illustrations marking where the dress meets the person wearing it. Light shines off the stitching differently than it does off the fabric. It adds movement where there’s stillness.
Briones paired it with pointed black pumps , classic in form, no detailing. Nothing distracted. Hair worn down, flipped clean over to one side. Makeup quietly emphasized the eyes — lid shimmer, a soft mauve lip. No necklace. Bare arms, no need for them to carry anything more.
Kylie Jenner wore a ruffled Maison Margiela top and black satin skirt at The Moment premiere in Beverly Hills on January 29, 2026.
For the Los Angeles premiere of The Moment , Kylie Jenner hit the black carpet in something that felt like museum fashion styled for the present tense. No gown, no overt sparkle. Just Maison Margiela Spring 2026 , and a choice to ruffle everything.
Let’s start from the top — literally. Kylie wore a sleeveless, high-necked beige satin top , covered in gathered ruching that spiraled up to her jawline. The hems floated, almost unfinished, like wet paper rippling before it rips. It covered nothing below the ribs. No corset shaping. No bra under structure. Just texture, and some very strategically placed pleats.
What came next? A black maxi skirt in liquid satin. Full and loose through the legs but cinched — almost invisibly — at the waist with a sheer mesh waistband peeking out above the skirtline. It looked delicate, but on purpose. A whisper of tension in a very calm outfit. The shine on the fabric caught every camera flash like a theater curtain mid-raise.
No jewelry overload. A pair of Lorraine Schwartz earrings , probably diamonds, cropped neatly below the lobe but nothing dripping. Bare arms. Fingertips long, ring-free. Hair slicked back, no flyaway in sight. The styling didn’t scream. But it left you with the feeling that everything was chosen, nothing borrowed.
Brooks Nader wore a form-fitting long red dress with gold heels at the Clarins Galentine’s Affair in Los Angeles on January 29, 2026.
At the Clarins Sugar & Shine Galentine’s Affair in Los Angeles, Brooks Nader walked the carpet in a red that didn’t whisper. No gradients. No shimmer. Just full-bodied scarlet, matte and sure of itself. The dress was long and clean — fitted through the body with enough stretch to hug fully without gripping. No frill at the hem, no overly architectural neckline — just a scoop deep enough to suggest drama, not demand it.
Shoulders sat strong, padded but subtle, creating a quiet power frame that worked especially well against the soft carpet and branding wall pinks. A matching belt — in red, same tone, same texture — helped break the surface tension, cinched neatly with a gold clasp that felt vintage-government-issued more than red carpet accessory. Confidence, not costume.
Gold heels, open-toed, thin straps — the kind that disappear from the ankle down. Her earrings pulled upward — circular, sculptural, mid-century energy. Hair was set back with the sort of ease that rarely comes easy: face fully revealed, a tucked strand here, a stubborn swoop there.
No purse. No loud stylist signature. This wasn’t a look trying to go viral. It was just showing up and choosing clarity over noise.
