Isabela Merced’s latest fashion moment—a vintage-inspired, rhinestone-drenched debut for her “Apocalipsis” video—delivers a jolt of gilded glamour, proving that sometimes, a classic Hollywood revival is exactly what the zeitgeist craves.
With her new music video, “Apocalipsis,” Isabela Merced stages a full-throated fashion rebellion. It’s a throwback, certainly, but one infused with a modern edge that feels both celebratory and completely unexpected. The star’s primary look is a daring two-piece ensemble that seems to channel the spirit of a 1920s flapper lost in a modern-day rock club. The focal point is a blush-toned bra top, heavily embellished with shimmering fuchsia and silver fringe that catches every stray light beam. This is paired with a matching, low-slung skirt, its sheer base disappearing beneath a cascade of silver fringe, creating a playful, kinetic silhouette with every movement.
A draped, translucent robe, adorned with large floral appliqués made of what appears to be sequin clusters, adds a layer of ethereal softness, contrasting sharply with the structured sparkle of the main outfit. The synergy between the pieces is undeniable. Her bold necklace, a statement choker featuring oversized, deep pink stones, anchors the look with a touch of sophisticated drama. All of this styling is presented against a backdrop of rich, theatrical blues and golds, with a classic microphone and drum kit hinting at a bygone era of live performance.
What makes this fashion story so compelling is its narrative cohesion. Merced’s sleek, finger-waved bob and a makeup palette centered on a striking cat-eye and subtle, glossy lip—all work together to build a complete persona. It’s not just an outfit; it’s a character study. With a confident pose, one hand gesturing to her hair while the other rests casually on her hip, she projects a captivating blend of confidence and retro allure. We’re left with a question: is this a tribute to the past, or a blueprint for the future of pop star style?
So, is Isabela Merced just proving that old Hollywood glamour never truly dies—or is this a tantalizing hint of a new, retro-futuristic aesthetic we’re about to see everywhere? Either way, she’s setting a new benchmark for music video fashion.
Denise Richards unveils a masterclass in low-key chic while running errands in Los Angeles, proving that sometimes, the simplest looks can be the most effective—and the most relatable.
Celebrity street style is often a high-stakes affair, a carefully calibrated performance for the paparazzi lens. So when a star steps out in something genuinely casual, it’s a refreshing jolt. Denise Richards delivers that jolt, seen recently in LA. Her look is a study in effortless American cool: a simple white t-shirt, relaxed-fit cargo jeans, and a few key accessories that tie the whole ensemble together.
The star’s relaxed silhouette begins with the classic white tee—a true foundational piece of any wardrobe. Paired with light-wash cargo jeans, the outfit feels both on-trend (hello, ’90s revival!) and completely timeless. The jeans feature prominent patch pockets on the legs, a detail that adds a subtle utility-wear edge to an otherwise straightforward outfit. Her accessories, however, are what elevate the look from simple to stylish. She carries a distinctive black tote bag, covered in what appears to be the iconic Louis Vuitton monogram—a flash of high-fashion luxury amidst the laid-back vibe. A trucker hat, with a prominent animal patch, and a pair of oversized dark sunglasses complete her casual-but-cool uniform.
Crochet meets cinematic melancholy—Monica Bellucci channels windswept noir in Jean-Baptiste Mondino’s moody beachside portrait for Numéro, July 2017.
There’s something haunting about Monica Bellucci standing alone on a windswept beach—storm clouds gathering, lace clinging, the sea whispering secrets behind her. It’s not just a fashion shoot; it’s a mood, a memory, a myth in motion.
Styled by Irina Marie Bondarenko, with hair by John Nollet and makeup by Letizia Carnevale, the look is a masterclass in tonal cohesion. The dress, reportedly by Dolce & Gabbana, echoes the brand’s signature reverence for Italian heritage—romantic, dramatic, unapologetically feminine. No jewelry distracts; the accessories are elemental: wind, water, shadow.
Mondino’s lens doesn’t just document—it dramatizes. The lighting is stark, almost biblical, casting Bellucci as a lone figure in a cinematic tableau. Her pose is deliberate, defiant. Is she waiting for someone—or leaving them behind?
The shoot coincided with Bellucci’s press tour for On the Milky Road , Emir Kusturica’s surreal wartime romance, adding another layer of narrative tension. The dress, the beach, the storm—it all reads like a still from a lost Fellini film, or perhaps a Dolce & Gabbana campaign directed by Antonioni.
And that crochet? It’s having a moment. From runway to resort, designers are embracing artisanal textures with a vengeance—call it “craft couture” or “lace rebellion,” but Bellucci wore it before it was trending.
