Never one to fade into the background, Isabeli Fontana brought ethereal edge to Venice—her embroidered lavender gown felt like couture dipped in moonlight.
There’s red carpet dressing—and then there’s Isabeli Fontana at the 82nd Venice Film Festival. At the premiere of After The Hunt , the Brazilian supermodel didn’t just wear a gown; she wore a mood. One that shimmered, whispered, and lingered long after the flashbulbs cooled.
Outfit Focus : Fontana’s floor-length gown was a masterclass in sheer seduction. Rendered in a delicate lavender hue, the fabric floated like mist—semi-transparent, yet intricately embroidered with silver and floral motifs that caught the light like dew. The silhouette was form-fitting, hugging her frame with precision before trailing into a soft, romantic train. Thin straps and a low neckline added a touch of sensuality, while the overall construction suggested hours of handwork—possibly Elie Saab or Zuhair Murad, though unconfirmed at press time. It was the kind of dress that doesn’t just photograph well—it haunts the lens.
In a season dominated by bold reds and sculptural blacks, Fontana’s lavender moment felt like a breath of fresh air. It nodded to the romanticism of early 2000s couture while embracing 2025’s obsession with transparency and texture. Among the many looks gracing the red carpet this year, hers stood out not for its volume, but for its restraint—and its poetry.
Sunisa Lee’s rooftop moment—oversized, monochrome, and quietly commanding—felt like a love letter to utilitarian fashion with a dash of pointed-toe rebellion.
There’s something magnetic about a look that doesn’t beg for attention—but earns it anyway. At the Public School New York Club Supper during NYFW, Olympic gold medalist Sunisa Lee stepped into the twilight skyline with a fashion-forward ensemble that whispered cool rather than shouted it.
Outfit Focus Lee wore a beige oversized button-up shirt with exaggerated pockets, paired with matching tailored shorts. The fabric appeared to be a crisp cotton or lightweight twill—structured enough to hold shape, soft enough to move with her. The silhouette was boxy but intentional, a nod to utility wear reimagined for the fashion set. It’s the kind of look that could easily be mistaken for off-duty minimalism, but on closer inspection, it’s pure editorial. Think early Helmut Lang meets modern Public School—clean lines, tonal layering, and a silhouette that plays with proportion.
Selena’s talk show appearance was less promo, more fashion punctuation—her crisp white dress and oversized bow felt like a wink to old-school glamour with Gen Z precision.
Selena Gomez didn’t just show up to Live with Kelly and Mark—she arrived like a punctuation mark. In a sea of daytime TV looks that often blur into forgettable pastels and predictable tailoring, Gomez’s ensemble was a sartorial exclamation point: bold, graphic, and unapologetically feminine.
The Rare Beauty founder wore a white sleeveless dress with a striking black bow detail—centered, oversized, and perfectly theatrical. The fabric appeared to be a structured crepe or silk blend, holding its shape with architectural intent. The silhouette was classic A-line, cinched at the waist and flaring gently at the hem, offering movement without excess. It’s the kind of dress that could have walked off a Carolina Herrera runway or been plucked from a Giambattista Valli archive. The bow, meanwhile, was pure statement—equal parts Audrey Hepburn and Comme des Garçons.
Accessories : Minimal, as expected. No visible jewelry, no handbag cluttering the frame. Just Selena, seated comfortably, letting the dress do the talking. The branded mugs and floral arrangements on set added a touch of domesticity, but her look remained firmly in the realm of editorial polish.
In a moment where celebrity fashion often leans toward chaotic layering and ironic nostalgia, Gomez’s look felt refreshingly intentional. It nodded to mid-century elegance while staying rooted in 2025’s obsession with clean lines and high-impact minimalism. It’s a reminder that celebrity fashion doesn’t need to be loud to be heard—it just needs to be smart.
