A halter-neck check, pleated trousers, and tousled curls—Isabella Briggs’s fashion photoshoot for The Bare Magazine September issue channels studio portrait cool with editorial clarity.
Isabella Briggs doesn’t just wear clothes—she inhabits them. In Tina Turnbow’s editorial lens for The Bare Magazine September 2025 issue, Briggs delivers a fashion spread that’s equal parts tactile and cerebral.
The look is deceptively simple: a sleeveless halter-neck top in a soft yellow and blue check, buttoned down the front and tucked into high-waisted gray trousers. The top evokes a picnic-table nostalgia, but the cut is sharp, modern—more Margiela than midwestern. The trousers, pleated and tailored, add structure without stiffness, grounding the ensemble in editorial polish.
Accessories are notably absent, allowing the textures and proportions to speak. The absence of adornment feels intentional—this is a styled shoot that leans into restraint, letting the silhouette do the storytelling.
Her pose is relaxed, one hand tucked into a pocket, the other resting naturally. The lighting is soft, the backdrop minimal—just a two-toned wall that frames her like a Rothko canvas. It’s a studio portrait that whispers rather than shouts.
Hair is styled in a voluminous updo, curls cascading with controlled chaos. Makeup appears minimal—likely a dewy base with subtle contour and natural lip. The overall mood? Quiet confidence.
See more celebrity photos that redefine editorial elegance.
Six coordinated looks—black, boots, and shimmer—KATSEYE’s red carpet fashion moment at the GRAMMY Museum channels performance couture with pop precision (and a dash of edge).
When KATSEYE steps into a spotlight, they don’t just arrive—they synchronize. At the GRAMMY Museum’s Spotlight: KATSEYE event in Los Angeles, the six-member ensemble delivered a red carpet fashion moment that fused pop precision with performance couture.
Each member wore a variation on a theme: black as base, metallics as accent, and silhouettes that balanced individuality with group cohesion. Crop tops met fitted skirts and shorts, while structured boots grounded the looks in stage-ready edge. The textures ranged from matte to shimmer, suggesting a mix of leather, lamé, and performance synthetics—designed not just to be seen, but to move.
Accessories were minimal but deliberate: belts cinched waists, earrings caught the light, and rings added flash without distraction. The absence of handbags felt intentional—this was a designer outfit ensemble built for presence, not practicality.
Their stance was unified, their expressions confident. The GRAMMY Museum backdrop framed them in institutional prestige, but the styling said pop rebellion. It’s a fashion moment that feels both curated and kinetic.
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A spiked halo, sheer lace, and corseted drama—LeeAnna Vamp’s red carpet fashion moment channels haute couture horror with unapologetic theatricality (and a wink of camp).
LeeAnna Vamp didn’t just arrive at the If It Bleeds screening—she conjured a fashion séance. On a red carpet flanked by skulls and horror house logos, she emerged like a gothic oracle, commanding attention with every spike, stitch, and shadow.
Her look? A masterstroke of horror haute couture. The corset-style bodice—structured, matte, and cinched to perfection—anchors a sheer lace skirt that trails with ghostly elegance. The textures play off each other like a Tim Burton dream: rigid boning meets whisper-thin lace, creating a silhouette that’s both armor and apparition.
Accessories deepen the spell. A spiked halo headpiece crowns the ensemble, evoking medieval martyrdom with a punk twist. Layered silver-toned jewelry—necklaces, bracelets, rings—adds glint and grit, while a black handbag with chain strap and plush charm offers a wink of irreverence (because even vampires need a sidekick).
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