Isis Valverde’s embellished black gown at the Frankenstein premiere was pure cinematic glamour—strapless, sparkling, and tailored to turn heads without trying too hard.
There’s a certain kind of red carpet presence that doesn’t rely on theatrics—it’s built on poise, precision, and a gown that knows how to hold the spotlight. On August 30th, 2025, Isis Valverde arrived at the Venice premiere of Frankenstein with exactly that energy. Her look was classic, but not predictable. Elegant, but with edge.
Valverde wore a strapless, floor-length black gown that shimmered with circular embellishments—each one catching the light like a constellation. The silhouette was fitted through the bodice and hips, flaring slightly into a soft train that trailed behind her with quiet drama. The embellishments added texture and movement, turning a simple black dress into something magnetic. The fabric appeared to be a structured crepe or satin base, with reflective appliqués that gave it a starry-night effect.
Isis Valverde didn’t just wear sparkle—she made it cinematic. For more red carpet looks that balance tradition with texture, explore our archive of celebrity style .
Carlotta Fiasella’s tailored black suit at the A House of Dynamite premiere was pure femme fatale finesse—pinstripes, plunging neckline, and unapologetic attitude.
In a sea of gowns and glitter, Carlotta Fiasella chose precision over pomp. At the A House of Dynamite red carpet during the 82nd Venice International Film Festival, she arrived in a look that felt like a cinematic plot twist—unexpected, sharp, and entirely in control.
Fiasella wore a black pinstripe suit that fused classic tailoring with modern seduction. The jacket featured a deep neckline, structured shoulders, and a fitted waist that emphasized her silhouette without sacrificing edge. The matching wide-legged trousers added balance, elongating her frame and grounding the look in power dressing. The pinstripes—thin, clean, and evenly spaced—added texture without distraction, giving the ensemble a whisper of old-school gangster glam.
Carlotta Fiasella didn’t just wear a suit—she made it cinematic. For more red carpet looks that rewrite the rules, explore our archive of celebrity style .
At The Smashing Machine premiere, Iryna Zhuravska’s off-the-shoulder gown fused gothic romance with floral restraint—think midnight garden meets red carpet poise.
There’s a kind of fashion that doesn’t scream—it murmurs, seduces, and stays with you long after the flashbulbs fade. On September 1st, 2025, Iryna Zhuravska stepped onto the red carpet at the Venice premiere of The Smashing Machine with a look that felt like a whispered spell. It was dark. It was romantic. And it was entirely her own.
Zhuravska wore an off-the-shoulder black gown with a flared skirt that moved like ink in water. The hemline was adorned with deep red floral embellishments—subtle, textured, and strategically placed to evoke a sense of blooming from shadow. The bodice was fitted, sculpting her frame with quiet precision, while the neckline exposed her shoulders in a way that felt both regal and relaxed. The fabric appeared to be a structured satin or taffeta, holding shape without stiffness.
Iryna Zhuravska didn’t just wear florals—she weaponized them in noir. For more red carpet looks that balance fantasy with finesse, explore our archive of celebrity style .
