At Marylebone Theatre’s press night, Fisher pairs a graphic tee with striped tailoring and leather polish—her look lands somewhere between gallery opening and backstage cool.
Isla Fisher’s appearance at the press night performance of Seagull: True Story at London’s Marylebone Theatre on September 11, 2025, was a quiet flex in fashion fluency. No gowns, no glitter—just a sharp remix of streetwear and tailoring that felt refreshingly off-script.
She wore a black leather blazer with a subtle sheen, layered over a graphic t-shirt that added a touch of irreverence to the ensemble. The blazer’s structured shoulders and clean lapels gave the look its backbone, while the tee softened the line—think art school meets Soho boardroom.
Her black pinstriped trousers featured a striking green side stripe, injecting a sporty twist into an otherwise classic silhouette. The pants skimmed the floor, meeting crisp white sneakers that grounded the outfit in comfort and cool. A black handbag with a sleek finish completed the look, adding just enough polish without tipping into formality.
Fisher’s hair was styled in soft waves, parted to frame her face with ease. Her makeup was minimal, letting the outfit speak without interruption. The setting—a warmly lit theatre lobby with guests mingling across a patterned floor—added to the mood: intimate, creative, and just a little bit rebellious.
Culturally, the look taps into a broader movement toward hybrid dressing—where tailoring meets casual, and red carpet rules are rewritten in favor of personality. It’s a nod to the early 2000s’ love of contrast, updated with 2025’s obsession with wearable individuality.
For more moments where celebrities blur the lines between formal and streetwear, explore our archive of celebrity street style .
At Michael Rubin’s Casino Night, Graham channels sculptural ease—her draped teal satin and strappy heels evoke red carpet glamour with a kinetic twist.
Ashley Graham’s entrance at the REFORM Alliance Casino Night in Atlantic City wasn’t just a red carpet moment—it was a masterclass in movement. Her teal satin gown, asymmetrical and draped with precision, caught the light like a slow wave. The gathered bodice sculpted her silhouette with quiet drama, while the thigh-high slit introduced a flash of leg that felt more cinematic than sultry.
The fabric’s sheen—somewhere between ocean dusk and high-gloss lacquer—played beautifully against the event’s modern interior. Thin shoulder straps added delicacy, balancing the boldness of the drape. Her black strappy heels, minimal yet assertive, grounded the look with architectural clarity.
Graham’s pose was confident but unforced—one leg forward, shoulders relaxed, expression poised. In one frame, she’s joined by a guest in a classic tuxedo, the contrast amplifying her gown’s fluidity. In another, she stands beside a fellow attendee in a red satin dress, the pairing echoing a palette of jewel tones and gala grandeur.
Hair and makeup followed suit: softly waved locks and a neutral lip kept the focus on the dress’s sculptural lines. The lighting—bright, clean, and reflective—enhanced the satin’s texture, turning every step into a visual ripple.
At Astra West’s 2002 launch, Ryan pairs a gauzy crimson blouse with pinstripe polish—proof that early‑aughts red carpet style could be both relaxed and razor‑sharp.
Jeri Ryan’s arrival at the Astra West Grand Opening in West Hollywood, July 2002, is a masterclass in how the early aughts balanced glamour with ease. The sheer, red‑patterned blouse—light as air yet saturated in tone—floats over the frame, its floral motif catching the flashbulbs without overwhelming the eye. The button‑front cut and relaxed collar keep it approachable, while the translucence adds a whisper of allure.
Anchoring the look, black pinstriped trousers bring a tailored counterpoint, their vertical lines elongating the silhouette and grounding the blouse’s softness. The pairing feels deliberate: a conversation between boardroom precision and after‑hours ease. Black shoes maintain the clean line, while a large red handbag—embellished with white stitching and decorative accents—injects a playful, almost bohemian punctuation mark into the ensemble.
Her stance is open and assured, shoulders relaxed, chin lifted just enough to meet the cameras without strain. The setting—a nighttime red carpet framed by steps and a building entrance—adds to the sense of occasion, but Ryan’s styling resists the era’s more maximalist impulses. Instead, she leans into a look that could walk off the carpet and into a dinner reservation without missing a beat.
Culturally, this moment sits at the intersection of two defining trends of the time: the sheer blouse revival that carried over from the late ’90s and the pinstripe’s migration from corporate uniform to fashion statement. It’s a reminder that the early 2000s weren’t all low‑rise denim and rhinestones—there was a parallel current of understated, grown‑up chic.
