In a photoshoot that captured a certain ’60s sun-drenched ease, Isla Fisher revisits a playful, retro-chic aesthetic, leaning into a nostalgic glamour that feels both intimate and impossibly cool.
The best fashion editorials aren’t just about clothes; they’re about selling a mood—a complete fantasy. In her February 2009 feature for Allure, Isla Fisher does exactly that, trading Hollywood’s red carpet for a series of quietly intimate portraits that feel less like a shoot and more like a lost afternoon. We’re invited into a world of analog warmth and subtle sensuality.
Olivia Attwood delivered a sartorial lesson in corporate polish, fusing an unexpected color palette with sharp tailoring for a fresh, confident take on the studio power suit.
It’s a subtle art, the TV studio entrance. You’re seen, but not seen—a flash of style captured before the cameras roll. Olivia Attwood, however, delivered a masterclass in making that fleeting moment count. Arriving at the ITV studios in London, she debuted a look that felt both classic and wonderfully off-kilter, a clever antidote to the expected newsroom monochrome.
Jennifer Aniston channels nostalgic vibes with a playful Candy Land tee—late ’90s casual at its most charming, with just a wink of whimsy.
There’s a particular kind of fashion moment that doesn’t scream—it smiles. In a 1999 photoshoot, Jennifer Aniston captured that mood perfectly, wearing a Candy Land graphic tee that felt more like a memory than a statement.
