The cover introduces Isla Johnston through a Baz Luhrmann fashion photoshoot, championing a rustic, armor-like tapestry of burnt orange against gothic stone for a breathtaking editorial.
There are cover debuts, and then there are moments —the kind that signal a seismic shift in the cultural landscape. Isla Johnston’s arrival on the September 2025 VOGUE cover is exactly that. It’s a grand, cinematic gesture disguised as a studio portrait , immediately demanding the question the cover poses: “WHO’S THAT GIRL?”
Johnston emerges from the shadows, leaning against a rough-hewn stone wall in a garment that is pure narrative. The piece—a long-sleeved jacket or dress—is a magnificent study in texture. It appears to be an intensely tactile brocade or richly embroidered tapestry , a mosaic of deep copper, charcoal, and shimmering gold . The structure, with its deep V-neck and slight-shouldered lift, is less clothing and more ceremonial armor, reinforced by the small, raised metallic studs that run across the fabric.
The explicit text calling out her role in Baz Luhrmann’s ‘Joan of Arc’ is the key to this entire high fashion mood. The atmosphere is that of a medieval heroine caught between the sacred and the profane—vulnerable yet fiercely contained. The styling perfectly supports this context: windswept hair, a clean, freckled complexion, and a gaze that suggests both innocence and destiny. This isn’t just a celebrity photoshoot ; it’s a costume test for the modern age, proving that the most compelling celebrity style is always rooted in storytelling.
Chloë Sevigny commands the October 2025 cover with a lacquered leopard print turtleneck and architectural shoulder, cementing her status as the reigning icon of authentic fashion spread style.
The Chloë Sevigny effect is rarely subtle, and on the October 2025 VOGUE Germany cover, it’s a high-wattage detonation. The backdrop of corrugated rust might suggest decay, but Sevigny herself is pure, glorious defiance. She stares down the lens, cocooned in a glossy, leopard print garment that immediately evokes the high fashion futurism of the late 20th century—think Thierry Mugler’s powerful lines filtered through a Miuccia Prada lens.
The dress—appearing to be in a patent vinyl or latex texture—is defined by its aggressively chic structure. The architectural shoulder is the main event, creating a forceful, inverted triangle silhouette that cuts an intimidatingly stylish figure. It’s an intellectualized take on the classic studio portrait , where the garment does all the talking, yet Sevigny’s demeanor offers the punchline: a bold, unbothered expression that is entirely her own.
The cover’s secondary headline, Der Wert Des Eigenen Stils ( The Value of One’s Own Style ), serves as the editorial’s thesis. It acknowledges Sevigny’s unique position as the perennial cool-girl—a muse who has always prioritized authenticity over fleeting trends. This is a celebrity photoshoot that reads less like a style guide and more like a manifesto on personal taste. The styling, including the voluminous blonde waves, is a clever nod to Old Hollywood glamour, subverted by the gritty backdrop, reinforcing her position at the intersection of cultural history and counter-culture cool.
The beauty mogul’s latest fashion photoshoot for GQ Middle East October 2025 is a study in high-contrast—denim’s grit meeting hyper-feminine lace and beauty shot perfection.
The essence of contemporary glamour is often found in the collision of worlds—the casual and the couture, the rough and the refined. Huda Mustafa’s latest celebrity photoshoot for GQ Middle East is a masterclass in this contradiction. Stepping into the frame with an attitude that is instantly compelling, this is a studio portrait that transcends the simple photograph to become a cultural bookmark.
She commands the lens draped in an open, deep indigo denim jacket , its workwear heritage intentionally contrasting with the delicate white lace bralette beneath. The look is a sharp, two-part statement on modern power dressing: the denim provides the structure and streetwise edge, while the intricate crochet lace introduces a vulnerable, intensely feminine texture.
