In a portrait for The New York Times, Jade Thirlwall debuts a look that fuses sharp tailoring with a quiet (and deeply chic) intensity.
There are some looks that speak volumes, even in silence. When Jade Thirlwall’s portrait for The New York Times dropped in August 2025, it was an immediate moment of style. The image—stripped of a typical bustling backdrop, just her against a neutral wall—forces you to focus on the details, the mood, the person. And what we get is a masterclass in understated power.
Never one to be boxed in, Jade Thirlwall unspools a sartorial tour de force—from sculptural futurism to playful frills—in her latest (and frankly captivating) editorial for The Guardian.
We’ve grown accustomed to seeing celebrities define a singular aesthetic, but Jade Thirlwall’s latest photoshoot for Guardian Saturday is a defiant argument against the very concept of a signature style. It’s less a lookbook and more a visual mixtape, a rapid-fire succession of moods that proves the modern icon isn’t just one thing.
The opening shot is a study in quiet power. Thirlwall attends to the camera with a soulful gaze, her hand resting delicately on her cheek, while a sharply tailored grey blazer—its collar deconstructed, its lapel sprouting an otherworldly, moss-like embellishment—acts as an artistic statement piece. The look is part intellectual, part organic, a fascinating clash of sharp lines and soft, natural forms.
The mood pivots entirely for the next outfit. Here, she unveils a dramatic black bodysuit with graphic, striped sleeves that fan out like architectural wings. It’s an almost otherworldly silhouette, a fusion of fashion and fantasy. Is this a bodysuit or a piece of living sculpture? A moment. It’s a powerful runway statement brought to life.
And then, she dips into pure playfulness. Thirlwall debuts a two-piece set in a vibrant peach hue, complete with ruffled sleeves and matching ruched shorts. The look is pure whimsy, but the heavy, lace-up black boots ground the aesthetic with a hint of rebellious energy—a sweet and sour combination that works with an effortless, offbeat synergy.
The photoshoot’s climax is perhaps the most personal look of all. Dressed in a sprawling, floor-length coat with a bold animal print, she strikes a confident, playful pose. The image captures her charisma and wit, proving that fashion doesn’t have to be serious to be stylish.
Styled with a consistent focus on her voluminous dark curls and a dewy makeup palette, each disparate outfit is woven into a cohesive narrative of confidence and creative expression. The photoshoot, set against a series of minimalist backgrounds, allows each outfit to command the spotlight. So, are we witnessing the dawn of a new kind of celebrity style—one where the only rule is to break them all? Or is it simply Jade Thirlwall reminding us that the best fashion is always a form of self-portraiture?
Rita Ora was seen in SoHo in New York City on July 14, 2025, effortlessly channeling an iconic 1970s aesthetic in her bold Emilio Pucci Marmo-print trousers and chic accessories.
Ah, the 1970s. A decade so often referenced, so rarely truly captured. But when I saw the photographs of Rita Ora in SoHo on July 14, 2025, it wasn’t just a nod to the past—it was a full-throated conversation with it. She wasn’t playing dress-up. She was channeling the very spirit of that era’s bohemian glamour, with a modern sensibility that only the right eye can achieve. It was a look that felt both nostalgic and utterly of this moment.
Ah, the 1970s. A decade so often referenced, so rarely truly captured. But when I saw the photographs of Rita Ora in SoHo on July 14, 2025, it wasn’t just a nod to the past—it was a full-throated conversation with it. She wasn’t playing dress-up. She was channeling the very spirit of that era’s bohemian glamour, with a modern sensibility that only the right eye can achieve. It was a look that felt both nostalgic and utterly of this moment.
The centerpiece? Those trousers. Not just any trousers, but the Emilio Pucci Marmo-Print Canvas Trousers . The swirling, organic pattern, so distinctly Pucci, is a visual symphony of earthy tones. It’s a print that feels like it has a story, like it could have been pulled from a forgotten archive in Florence. And the drape, the way the fabric moves… it’s pure Italian sensuality, but grounded in a relaxed canvas that says, “I’m off-duty, but I’m never not fabulous.”
She paired them with a draped, silk blouse—a beautiful, satiny piece in a soft, champagne hue that mirrors the lighter tones of the trousers. It’s an elegant contrast, the structured print against the liquid flow of the silk. And the details, darling, are everything. The way the sleeves are cut, revealing a sliver of skin, is pure genius. She cinched it all with a Lauren Tri-Strap O-Ring Leather Belt , a clever piece that pulls the look together without being too loud.
And then we get to the accessories. The pieces by Monies , a brand I’ve long admired for its use of natural materials, are a masterstroke. The Monies Vala Necklace —a bold, sculptural piece made of light wood with a circular motif—is an echo of the belt’s o-ring and a direct call-back to the organic shapes of the ’70s. Her Monies Orbis Pin Earrings continue this theme, small but mighty pieces of wearable art.
But the shades… the Emilio Pucci Pilot Sunglasses with their fiery orange-tinted lenses… now that is the flourish that ties it all together. It’s the kind of subtle rebellion that I adore. It transforms the whole look from “chic” to “iconic.” It tells you she’s a woman with something to say, a woman who understands that fashion is not just clothing, it is a statement. She’s been turning the city sidewalks into her catwalk, and with a wardrobe of Pucci and other incredible designer pieces, who could blame her? She was in New York to headline a concert at Brooklyn Bridge Park, and while there, she was a walking, breathing testament to the power of a well-curated wardrobe.
It’s a look that reminds me of those incredible, sun-drenched photographs from the French Riviera in the ’70s, where every outfit felt like an extension of the person wearing it, not a cage. This isn’t just a trend for celebrities; it’s a guide for us all. It’s a testament to the idea that a single, powerful piece—a Pucci print trouser, a statement necklace—can anchor an entire outfit.
It’s daring. It’s divine. It’s Rita Ora.
Get The Look: ’70s SoHo Style
- The Statement Trouser: Invest in a pair of wide-leg trousers with a bold, retro print. Look for vintage Pucci or new designers who are channeling that vibrant, confident aesthetic.
- The Fluid Top: Find a silk or satin blouse in a neutral shade that complements the colors in your trousers. A draped silhouette or interesting neckline adds to the vintage feel.
- The Sculptural Jewelry: Opt for jewelry made from natural materials like wood, bone, or stone. Think oversized necklaces and bold, geometric earrings. This is where you can truly express your unique style.
- The Tinted Sunglasses: A pair of large-frame sunglasses with a colored lens—like Rita’s orange or even a soft rose—is a simple, yet transformative, detail. It adds an element of mystique and cool.
- The Leather Belt: A simple, high-quality leather belt with a circular or unique buckle can tie the entire look together. It grounds the floaty elements and adds structure.
