Jameela Jamil wore a strapless black and white dress with nude pumps at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Jameela Jamil at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands with one hand on her hip, the other relaxed, a small smile–half challenge, half invitation. The dress is strapless , black bodice with a white scalloped edge, almost like a cartoon heart drawn in chalk. The skirt is white, draped, soft, crossing at the front and showing just enough leg to keep things interesting. No sequins, no wild prints, just a clean split between black and white.
Her hair is long, loose, and shiny, with full bangs–classic Jameela. Makeup is warm, a little glow on the cheeks, lips a muted rose. Jewelry is minimal, just a ring and a delicate necklace. Shoes are pointed, nude, nothing flashy. The whole look is simple, but not plain. There’s a kind of old-school movie star energy, but filtered through a modern, slightly mischievous lens.
It’s not a look that begs for attention. It just stands there, confident, a little playful, not trying to outshine anyone. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it direct–black, white, a little attitude, and a lot of ease.
Oona Chaplin wore a rust-colored suit with a sheer black lace top at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Oona Chaplin at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands in front of the purple wall, hands together, not a trace of nerves. The suit is rust red , loose, a little wrinkled, but in a way that feels lived-in, not careless. The jacket is boxy, sleeves long, pants cropped above the ankle. Underneath, a sheer black lace top–high neck, intricate, a bit gothic, but softened by the color of the suit.
Her hair is parted in the middle, loose waves, tucked behind the ears. Earrings dangle, nothing too shiny. Makeup is soft, natural, a little blush, lips just a shade darker than her skin. Black pointed pumps, classic, no embellishment. A couple of rings, nothing that screams for attention.
There’s a kind of quiet confidence here. Not trying to be the flashiest in the room. The whole look is a little offbeat, a little romantic, but grounded. For those who follow red carpet fashion , it’s a reminder that a suit can be just as striking as any gown–especially when it’s worn with this much ease.
Erin Doherty wore a sculptural white top with black wide-leg trousers at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Erin Doherty at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands on the gray carpet, hands in pockets, not a hint of nerves. The top is white, crisp, sculptural–one shoulder bare, the other wrapped in folds and cutouts, like someone started with a classic shirt and just kept going. Sleeves rolled, collar open, a little off-balance but on purpose. Black wide-leg trousers, high-waisted, sharp crease down the front. Black pointed shoes, barely peeking out. No necklace, just small silver hoops. Hair slicked back, face clean, a little pink on the lips, nothing extra.
It’s a look that doesn’t beg for attention. No shimmer, no fuss. Just lines and angles, a bit of tension in the way the shirt sits. Feels like she’s more interested in comfort than in making a scene. The whole thing is a quiet kind of cool–almost like she’s stepped out of a backstage fitting, not a red carpet. For those who follow red carpet fashion , it’s a reminder that sometimes the best style is the one that doesn’t try to be anything but itself.
She looks ready for a conversation, not a photoshoot. No drama, just a woman in black and white, standing still, letting the clothes breathe. The night will go on, and so will she–unbothered, a little mysterious, and not in any rush to explain.
