With a poster as bold as her punchlines, Janine Harouni pairs stand-up grit with off-duty cool—think Brooklyn edge meets London stage polish.
There’s something deliciously meta about Janine Harouni standing beside her own five-star poster at Soho Theatre—like a living footnote to her own rising legend. The image, snapped outside the venue during her December run of Stand Up with Janine Harouni (Please Remain Seated) , captures more than a promotional moment; it’s a quiet flex, a sartorial wink to her dual identity as comic and cultural commentator.
Her styling is minimal but intentional. No flashy accessories, no red carpet theatrics—just a clean, confident presence that lets the poster (and her résumé) do the talking. The backdrop—a collage of glowing reviews from The Times , Telegraph , Chortle , and Scotsman —adds a layer of visual drama, framing her as both subject and spectacle.
For BLONDE Magazine (and a hauntingly beautiful August issue), Lea van Acken unveils a layered, futuristic fantasy that fuses romance with a sci-fi edge.
In an age of endless celebrity content, a fashion shoot that feels like a full cinematic narrative is a rare and precious thing. Lea van Acken’s work with photographer Frederick Herrmann for the August 2025 issue of BLONDE Magazine is precisely that—a story told in three acts.
Each image, with its careful styling and distinct atmosphere, contributes to a cohesive vision that is both haunting and incredibly stylish. The entire feature is a masterclass in fashion as a form of world-building. So, are we witnessing the dawn of a new, emotionally charged era in fashion editorial—or is Lea van Acken simply proving the power of a single, brilliant narrative?
Isabela Merced’s effortlessly nostalgic look (a masterclass in Y2K street style) for the “Day of Indulgence” event proves that baggy jeans and sneakers are back for good.
Fashion has a way of circling back, and in this current moment, it’s revisiting the playful, laid-back rebellion of the early 2000s. Isabela Merced, attending Jennifer Klein’s “Day of Indulgence” event, unveils an outfit that’s a perfect case study in the Y2K revival.
The entire look is an exercise in intentional volume and proportion. A simple black tank top, a summer classic, provides a clean and fitted counterpoint to the billowing silhouette of her low-rise, baggy denim jeans. The jeans, with their wide-leg cut and relaxed fit, feel both comfortable and daringly retro. It’s a silhouette that defined a generation—one that values comfort without sacrificing an ounce of cool. She grounds the look with a pair of chunky, retro-style sneakers, a signature of the era that’s now inescapable on and off the runway.
Her accessories, too, play into this vibe of casual effortlessness. A large, slouchy tote bag, slung over her shoulder, and a pair of round sunglasses complete the ensemble. Her short, chin-length bob adds to the carefree attitude. This isn’t just an outfit; it’s a confident cultural reference, a look that says, “I know where we’ve been, and this is where we’re going.” So, is this the ultimate off-duty uniform, or is Isabela Merced just showing us how to perfectly nail a throwback that’s become our new reality?
