Javicia Leslie ignites the red carpet arrivals in an emerald green gown that features architectural ruffles, defining a sharp and vibrant celebrity look for the evening.

The end of summer calls for a vibrant style punctuation mark, and Javicia Leslie delivered it with undeniable flair at the ABC End Of Summer Soiree. She commands the red carpet not with volume, but with the potent combination of bold colour and strategic, architectural design —a definitive fashion moment for the season.

Leslie’s designer outfit is an ankle-grazing gown in a rich, liquid emerald green . The hue, saturated and luxurious, is perfectly showcased by the fabric: a gleaming satin or heavy silk that captures the flash of the cameras. The silhouette is the true triumph. It features a bold asymmetrical one-shoulder neckline from which a dramatic plume of sculptural ruffles cascades down the side of the body. This meticulous pleating adds dynamic movement and a touch of neo-Baroque drama to the otherwise sleek, body-skimming column cut.

The styling is brilliantly simple, allowing the celebrity dresses choice to remain the focus. Leslie’s hair is swept up into a sleek, high updo , which emphasizes the asymmetrical shoulder and showcases her graceful neck. Accessories are minimal but high-impact: a single, chunky statement ring and a simple black clutch bag . Her footwear, strappy silver metallic stilettos , provides a subtle metallic flash, complementing the polish of the look.

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A beige mesh dress, pointed heels, and wine-glass poise — Coco Austin’s front row fashion channels event appearance clarity with Spring 2026 sensual restraint (and a touch of play).

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Dita von Teese commands the V&A private view in a signature celebrity event look—a dramatic, high-slit bustier and velvet pairing that feels like an inspired piece of living art.

When the brief is a VIP view of ‘Marie Antoinette Style,’ you call on the reigning queen of theatrical elegance. Dita von Teese, attending the V&A private viewing, champions her unique blend of glamour, turning the museum’s public appearance into her own curated exhibit. Her aesthetic—always precise—becomes a perfect, self-referential commentary on historical costume.

The look is built on a breathtaking contrast of color and texture: jet black velvet against deep ivory satin . The black velvet bustier —the sartorial cornerstone of her identity—features a deep sweetheart neckline and a perfectly cinched waist. This sculpted top is paired with a phenomenal floor-length skirt in the ivory satin. The skirt is the real hero, boasting dramatic volume and a thigh-high slit that adds a potent, modern injection of sensuality to the otherwise neoclassical frame. The fabric’s structure gives the piece an architectural silhouette that is rarely seen outside of genuine front row fashion .

Accessories are meticulously curated to reinforce the vintage narrative. She wears long, dramatic black opera gloves , a detail that transports the celebrity event look directly to a bygone era of pure sophistication. Most strikingly, she dons a large, sculptural black velvet hat or fascinator, adding vertical drama and a cinematic finish to the entire presentation. Her only visible jewelry is a pair of long, sparkling drop earrings .

Her styling cohesion is, as always, flawless. Her hair is set in her trademark, pristine black pin-curls , framing a porcelain complexion. The makeup is immutable: dramatic black liner and the signature matte red lip . It’s a study in control and visual rigor, linking her personal brand to the opulence of the historical figure the exhibition celebrates. This isn’t just a fashion show guest appearance; it is an iconic appearance that fuses history with modern burlesque wit.

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