Jenna Dewan wore a black satin silk robe-style pantsuit featuring a plunging neckline to the Variety’s 2025 Power Of Women event in Beverly Hills.
Jenna Dewan attended the Variety’s 2025 Power Of Women event in Beverly Hills on October 29, 2025 , wearing an ensemble that cleverly blurs the lines between intimate loungewear and formal power dressing . The actress, known for her strong presence among popular celebrities , opted for a black matching set composed of a wrap-style top and wide-leg trousers .
The garment’s defining feature is its satin silk fabrication , which provides a noticeable sheen and beautiful drape, suggesting movement and fluidity. The top mimics a robe or kimono with its deep V-neckline and a self-tie waist belt cinching the figure. The trousers continue the relaxed yet refined theme, falling in a wide, clean silhouette over open-toe footwear. Her accessories are minimal—large hoop earrings and several chunky rings —allowing the texture and cut of the suit to dominate. Her hair is pulled back into a sleek, partial updo, maintaining the look’s sophisticated composure.
Jade Thirlwall wore layered couture and dramatic coastal gowns on the Gay Times December 2025 cover and editorial.
Jade Thirlwall for Gay Times (December 2025) appears across a single, cohesive editorial sequence shot on a windswept shoreline. The spread strings several distinct looks into a continuous study of texture, silhouette, and theatricality, using the coast’s raw drama to amplify each garment’s formal logic.
The sequence opens with a white, fringed mini dress and winged sandals that read like a modern ritual costume against the surf. It moves into darker territory with a corseted ensemble of black embellishment and sheer drapery that unfurls like a cape in the wind. A metallic, reflective dress with structured shoulders and sculpted silhouette introduces a futurist register, its shimmer answering the sea’s reflected light. Repeated motifs—long flowing hair, bold makeup, and expressive poses—bind the images into a single visual argument: clothing as staged myth.
Form and technique drive the editorial. The corsetry and sheer panels negotiate historical codes of constraint and release, while the metallic mesh and exaggerated shoulders translate armor into eveningwear. Proportions are deliberately theatrical; shoulders, hems, and headpieces are scaled to read at distance and in print. This is fashion that prioritizes construction and surface as rhetorical devices rather than mere wearability. The piece’s one aspirational adjective: architectural — the images build volumes and negative space with the same intent an architect composes mass and void.
Ever Anderson wore five avant-garde editorial outfits on the Beyond Noise Magazine November 2025 cover and fashion spread.
Ever Anderson for The Beyond Noise Magazine November 2025 appears across a single editorial sequence that treats clothing as constructed gesture. Photographed against a spare studio field, the spread strings five distinct looks into a continuous study of texture, scale, and theatricality — a deliberate program that asks readers to read technique as authorship.
The sequence opens with a dense, knotted red knit that reads less like a sweater and more like textile architecture: heavy, sculptural loops form a compact volume, paired with red lace-patterned hosiery and bow-adorned heels, the whole capped by a wide-brimmed black hat that slices the silhouette. From that tactile beginning the editorial pivots to a light pink lace set — a three-quarter sleeve top and matching short skirt — where gradient red lace stockings and lace-up boots introduce a chromatic and textural counterpoint. In the monochrome frames that follow, an asymmetrical white ruffled piece and an oversized wide-brimmed hat trade softness for exaggerated proportion, while buckled ankle boots and dangling earrings inject a punk cadence. A voluminous black coat with white trim then redefines the body as line and negative space, its trim outlining the figure like a quick fashion sketch. The sequence closes on layered black tulle: a full, theatrical composition whose movement and volume convert garment into performance.
Critical reading — craft, proportion, and editorial intent Across these five looks the editorial stages a conversation between handwork and spectacle. The knotted knit insists on craft as structural strategy rather than ornament; the lace and gradient stockings reframe historical references (Victorian lace, corsetry) as optical devices; the oversized hats and exaggerated proportions insist that silhouette itself can be the argument. This is fashion that thinks in volumes and textures, not in wearable compromises.
Constructive critique The editorial’s ambition is clear, but its dramaturgy occasionally feels abrupt. Transitions from pastel delicacy to heavy monochrome are bold editorial choices, yet a few intermediary tonal bridges might have made the narrative flow more seamless. Similarly, the deliberate push toward caricature — extreme hats, exaggerated proportions — works for page drama but narrows the images’ translational potential beyond the magazine spread.
