Jenna Johnson, the celebrated dancer and television personality, graced the 2025 American Music Awards, revealing a dazzling, show-stopping ensemble.
Jenna Johnson made a grand entrance at the 2025 American Music Awards in Las Vegas, Nevada, captivating onlookers with a high-octane glamorous gown. The sheer, form-fitting dress was heavily embellished with intricate silver beadwork and sequins, creating a shimmering, almost liquid effect that shimmered under the event lights. Strategic cut-outs at the waist offered a contemporary and daring touch, while the illusion fabric continued down to a floor-length silhouette, revealing a hint of leg beneath.
Tara Yummy, the influential digital personality and content creator, unveiled a sophisticated and edgy ensemble at the 2025 American Music Awards, making a memorable red-carpet appearance.
Tara Yummy brought a striking blend of classic elegance and contemporary edge to the 2025 American Music Awards in Las Vegas, Nevada. Her choice for the evening was a floor-length, form-fitting black gown crafted from what appears to be a luxurious velvet or crushed velvet fabric, lending a rich texture and subtle sheen under the lights. The dress featured a distinctive halter neckline that transitioned into a structured, almost corset-like bodice, complete with visible seam detailing across the bust, adding an architectural element to the otherwise fluid silhouette.
JaNa Craig, the rising talent known for her captivating presence, made a striking impression at the 2025 American Music Awards, arriving in a vibrant fuchsia gown.
JaNa Craig commanded attention on the 2025 American Music Awards red carpet in Las Vegas, Nevada, in a breathtaking fuchsia gown that epitomized modern glamour. The strapless design, with its deep V-neckline, showcased a structured bodice that seamlessly transitioned into a flowing, draped skirt featuring a dramatic thigh-high slit. The fabric, possibly a shimmering lamé or sequined mesh, caught the ambient light, adding a dynamic sparkle to her every movement.
