Jenna Ortega wore a Dilara Findikoglu Spring 2026 cut-out dress and Christian Louboutin Cassia Satin Pumps at the 83rd Golden Globe Awards.
Jenna Ortega at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, arms at her sides, gaze direct, not a hint of nerves. The dress is Dilara Findikoglu Spring 2026 –black, gothic, with a high neck and sharp shoulders, cut-outs at the waist, and a sheer skirt that just grazes the floor. The bodice is embroidered with black sequins, the sleeves finished with long, dangling fringe. The back is open, the sides are bare, the whole thing is a study in negative space and tension.
Her hair is parted in the middle, pulled back, a few strands loose. Brows are bleached, makeup is pale, lips a soft nude, eyes defined but not heavy. Dangling diamond earrings catch the light. On her feet, Christian Louboutin Cassia Satin Pumps –black, pointed, just visible under the hem.
This is a look that leans into gothic drama, but never feels like a costume. The Dilara Findikoglu gown is all about structure and shadow, but Jenna’s styling keeps it modern–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the cut and the attitude do the talking.
She could be anywhere–a club, a gallery, or just lost in the crowd. Tonight, she’s here, and the cut-outs do all the work. No need for extra drama, just a little edge and a lot of presence.
Selena Gomez wore a black velvet Chanel gown with a white feathered off-shoulder neckline and retro waves at the 83rd Annual Golden Globes 2026.
On the red carpet at the Beverly Hilton, Selena Gomez turns steady and composed–no chaos, no swirl of excess. Her custom Chanel gown , stark in black velvet, rises straight from floor to shoulder before exploding in a cloud of white feathers that look less ornamental and more like movement caught midair. The neckline cuts across bare skin, glossy in the light, a line that feels deliberate, exact.
Hair cropped into tight retro waves , parted deep, brushed to mirror shapes from 1930s Hollywood portraits–shiny, sharp, sculptural. The oxblood lip matches the hair’s reflective darkness, while her brows anchor the look in now. Everything sits in balance: feathers and fabric, light and weight, old restraint and new irony.
There’s no heavy jewelry tugging at her frame. Just minimal sparkle from the earrings, maybe Dior-inspired in structure but likely Chanel Couture in detail. Hands gloved in tone? No–bare, nails jet-black, echoing the velvet. It’s pure Gomez energy–chic under pressure, direct, unbothered.
The overall effect: glamour held at arm’s length. A look that both remembers and rejects the old red-carpet script, standing quietly in its contradictions. Feathers, yes–but the kind that belong to someone grounded.
Chase Sui Wonders wore a Balenciaga custom dress and Tiffany & Co. Schlumberger jewelry at the 83rd annual Golden Globe Awards in Beverly Hills.
Chase Sui Wonders at the 83rd annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, posture open, smile easy, not a hint of nerves. The dress is Balenciaga Custom –a saturated, almost electric green, strapless, with a sculpted bodice and a full, architectural skirt that sweeps the floor. The fabric is crisp, holds its shape, and the color does all the talking. No embellishments, no fuss, just pure silhouette and presence.
Her hair is pulled back in a sleek bun, nothing out of place. Around her neck, a thick gold Tiffany & Co. Schlumberger Hands Necklace –chunky, almost industrial, but softened by the curve. On her ears, Tiffany & Co. Schlumberger Flame Ear Clips . No visible bag, no wild makeup, just a little glow, a little gloss, and a lot of confidence.
This is a look that leans into color and shape, but never feels overdone. The Balenciaga gown is all about presence, not about shouting for attention. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the silhouette and the shade do the work.
She could be anywhere–a gala, a rooftop, or just lost in the crowd. Tonight, she’s here, and the green does all the work. No need for extra sparkle, just a little structure and a lot of ease.
