Jenna Ortega wore a structured black gown at the Marrakech International Film Festival in November 2025.
Anya Taylor-Joy wore a strapless black gown with floral wrist accents at the Marrakech Film Festival Opening Ceremony.
At the Opening Ceremony of the 22nd Marrakech International Film Festival on November 28, 2025 , Anya Taylor-Joy appeared in a look that fused red carpet fashion-coded silhouette architecture with celebrity dresses-coded contrast logic , framed against a crimson backdrop marked by bilingual festival branding.
Taylor-Joy wore a strapless black gown with a voluminous silhouette that gathered at the waist and extended to the floor, punctuated by white floral embellishments at the wrists . The gown’s sculptural flow introduced a layer of couture dress-coded spatial drama , while the floral cuffs injected designer outfit-coded chromatic punctuation . Her stance—upright and composed—reinforced the editorial’s red carpet arrivals-coded compositional clarity , where posture and proportion co-author the moment.
Eva Green wore two distinct looks for Harper’s BAZAAR Taiwan’s 2026 dining-themed editorial spread.
For the 2026 Harper’s BAZAAR Taiwan editorial themed “The Evolution of Fine Dining,” Eva Green appears in a dual-look spread that fuses fashion-as-language-coded tailoring fluency with editorial-coded silhouette contrast , styled across sculptural beige backdrops and dramatic lighting setups.
Green wears a black blazer with textured lapels , a white shirt , and white trousers , styled barefoot and posed reclining against a fabric-draped couch. The composition leans into beauty shot-coded emotional grounding , where the absence of footwear reframes the formality of the ensemble into something more intimate. The contrast between the dark jacket and light base layers introduces studio portrait-coded tonal choreography , while her expression—composed and direct—anchors the editorial’s magazine cover-coded narrative precision .
This look nods to mid-2000s cinematic-coded power dressing , reframed for 2020s editorial-coded minimalism , where structure and softness co-author the frame.
Look 2: The Bow-Tied Contrast In the second image, Green wears a blue striped blouse with an oversized bow tie detail , paired with a black leather skirt . The lighting casts dramatic shadows across the wall, introducing fashion spread-coded chiaroscuro logic , where contrast becomes character. Her slicked-back hair and dark lipstick inject beauty-coded tonal sharpness , while the couch and backdrop remain constant, reinforcing the editorial’s visual continuity across styling shifts .
This look channels 1980s secretary-coded exaggeration logic , reinterpreted through 2020s high fashion-coded silhouette play , where volume and texture collide.
