Jennie Kim marked her 30th birthday on January 21, 2026, wearing a sleek black strapless top and San San Gear Wide Pants in a cozy setting.
The glow of soft gold lighting, reflections bouncing off polished glass and chrome. Jennie Kim sits at a long restaurant table, surrounded by friends, candles flickering. Behind her, two towering silver balloons float quietly — 3 and 0 — announcing the moment without needing any words. There’s a cake in front of her, streaked with red glaze, burning with tall white candles. She looks both radiant and calm, her expression caught between mischief and peace.
Jennie’s style for the evening follows her signature quiet balance between structure and ease. She wears a sleek strapless top paired with San San Gear Wide Pants , a combination that feels understated but deeply intentional. The top is sculpted around the chest, clean-lined, no ornamentation — while the wide trousers add volume and softness, grounding the silhouette. It’s the kind of look she tends to favor, one that bridges feminine delicacy with confident modern minimalism.
Her hair falls long and straight, parted slightly off-center, catching the glow of the candles with every turn. No heavy jewelry, just the faint shine of skin and silk under golden light. The setting — equal parts refined and personal — gives everything a sense of intimacy, like a private film still rather than a birthday snapshot.
Jennie Kim wore a Ludovic de Saint Sernin shearling coat with a studded leather belt, Cartier jewelry, and The Row Ingrid bag on January 21, 2026.
Jennie Kim draws power from quiet confidence. There’s no walking shot, no exaggerated pose — just her standing still, half-lit by ambient light and the shimmer of tinted glass. She wears a Ludovic de Saint Sernin shearling coat , oversized, textured, almost cloud-like in how it folds around her. The sleeves are long, voluminous, the kind that make you imagine warmth through touch rather than sight. Around her waist sits the Ludovic de Saint Sernin Eyelet Belt , black leather ringed with metal studs, cinching structure into all that softness.
Her hands rest lightly on the sides — nails short, details minimal except the shine from her Cartier Love bracelets stacked at the wrist. She carries The Row’s Ingrid bag , its dark silhouette a quiet counterweight to the coat’s fluff. Her Ray-Ban RB2016 Daddy-O sunglasses finish the look with clean lines and a hard glint, giving the softness just enough edge.
Lindsey Vonn appears in SELF Magazine’s January 2026 issue, styled in multiple bold outfits with layered textures and modern contrasts.
The January 2026 issue of SELF Magazine places Lindsey Vonn in a sequence of frames that lean into strength and style, each outfit distinct, each pose deliberate.
One frame shows her in a black bikini top paired with high-waisted undergarment and oversized puffy pants. Sunglasses perched on her head, hands tucked into the waistband. It’s athletic, but also playful–like winter gear colliding with swimwear.
Another look shifts tone. A voluminous off-white puffer jacket, sculptural in its folds, photographed against black. The hood swallows her shoulders, the padding exaggerated. It feels less like clothing, more like architecture.
Then a beige oversized jacket draped over her shoulders, paired with a wrapped white top and pale yellow pants with furry cuffs. Arms raised, hands behind her head. The pose is confident, almost defiant, but softened by the textures.
A darker frame follows. Brown fur jacket with pronounced shoulders, black crop top underneath, leather pants zipped at the front. Hair loose, stance firm. The contrast between fur and leather makes the look heavier, more grounded.
Finally, a dynamic shot. Black long-sleeve top, flared jeans, coat trailing behind as she kneels with one leg bent. The background deep blue, fabric caught mid-motion. It’s less about the outfit, more about movement–fashion as gesture.
