Jennifer Garner wore a Saint Laurent blouse and leather pencil skirt at the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day on February 3, 2026 , held in bright Santa Monica light, Jennifer Garner walked in wearing the kind of outfit that doesn’t make a scene—but still quietly holds the room. A Saint Laurent look stripped of theatrics: an olive-brown silk blouse finished with a weighty bow at the neck, fluid through the arms, tucked into a high-waist black leather pencil skirt that cut straight and knee-length. No flash. Just structure. Texture. Ease.
There’s something about soft fabric paired with leather that hits different with time. Not youthful rebellion—just sleek, grown quiet. The buttery shirt falls just right. The leather skirt has that subtle forward seam and a side pocket almost hidden in plain view. She anchors it with black ankle-strap pumps , sharp toe, a whisper of polish on the heel. It feels almost like her own take on press event style : linear, neutral, leaned-in.
Hair was worn down. Relaxed wave. Nothing sprayed into submission. No bold earrings. No jewelry talking too loud. Just some soft gold hoop glint, maybe mascara dialed back a click or two compared to the usual.
And maybe that’s the point. It’s the kind of power look that doesn’t need an introduction. Just a moment.
Jurnee Smollett wore a navy silk halter dress with a cutout bodice to The Macallan x The Hollywood Reporter event in Los Angeles, 2026.
At The Macallan x The Hollywood Reporter event on February 3, 2026 , hosted at the brand’s villa in Los Angeles , Jurnee Smollett showed up in a dress that didn’t perform—it glided. Simple. Slippery. Midnight blue. The kind of shade that refuses flash but catches every clean spotlight. The material reads like liquid silk or satin, that slouchy elegance where every wrinkle counts and every crease feels on purpose.
The silhouette was classic red carpet quiet: halter neckline with slim spaghetti straps, a small keyhole detail at the chest, and a clean drop down to the hem with no hard seams or design distractions. The cut made room to breathe but still clung enough to suggest intention. No belt, no slit, no extras. Just a slow, uncluttered fall.
Her styling followed suit. Hair parted and waved, bringing softness to the stronger neckline. Eyes? Defined, not shouted. Lips, warm and glossed. Jewelry stayed discreet—tiny hoops, no necklace, no flash. It’s L.A. in early February—and she dressed like she knew she’d be standing between whisky tastings and muted flashbulbs.
It’s not always about the loudest silhouette or the boldest cut. Sometimes restraint does more than shine—it absorbs all the noise around it.
Sunny Leone wore a deep-plunge knotted gown in rich chocolate brown at the Variety launch party in Mumbai, India, on February 1, 2026.
At the Variety magazine launch party in Mumbai, India , on February 1, 2026 , Sunny Leone chose a confident kind of laid-back elegance. Her gown? A russet-mahogany tone, softly lustrous, draped in the body like wet silk—with a twist at the midsection and that deep, plunging V that played just on the edge of restraint. It didn’t scream. It landed.
The cut was clean: sleeveless, floor-length, and gathered just enough to add movement when she walked. And instead of piling on accessories, she kept things easy. A metallic gold clutch , oversized cocktail ring, and pared-back earrings. Done. Her hair—soft bun, a little tousled, wisps curling at the sides like she didn’t fuss too hard. The event appearance energy was more grounded than starlet. She wasn’t performing. She was gliding.
Next to her, her husband kept it quiet in all black. Suit, shirt, tie—safe, unshowy. But maybe that was the power move. All eyes drifted toward her.
This wasn’t a look designed to dominate a carpet or chase headlines. It felt lived in. Elegant not because it tried, but because she didn’t need to.
