Jennifer Hudson wore a black leather one shoulder gown with a high slit and silver metallic pumps at the 68th Grammy Awards 2026.
On February 1, 2026, Jennifer Hudson arrives at the 68th Grammy Awards at the Crypto.com Arena in Los Angeles in a look that is all sharp lines and shine. She wears a black leather one shoulder gown with a sculpted, almost armor-like bodice that dips into a soft sweetheart curve across the chest. The leather wraps diagonally around her torso, creating folds and pleats that catch the light. On the single shoulder, a huge, structured, bow-like flourish rises up and out, giving height and a bit of attitude. The skirt falls straight on one side but opens into a high slit on the other, revealing one leg almost to the hip. At her feet: pointed silver pumps with a mirror finish, slender stiletto heels and very sharp toes that echo the slit’s line.
The rest of the styling keeps things tight. Her hair is pulled back into a sleek style that clears her face and neck, so the neckline and the big shoulder detail stay in focus. Makeup is polished but not fussy—defined eyes, warm glow, glossy neutral lip—supporting the dress instead of competing with it. On her wrist and hand, a stack of bracelets and rings adds a small hit of sparkle, but the outfit is clearly built around the black leather and those reflective shoes. The red carpet beneath her makes the black look deeper, and the silver heels stand out even more against it.
There is a clear line from Hudson’s previous red carpet fashion choices—over-the-knee boots at the Rock & Roll Hall of Fame, dramatic black Gaurav Gupta at the BET Awards—to this leather designer outfit . She leans into an edgy, almost rock-diva side of glamour while still dressing for an awards fashion moment . As an EGOT winner now nominated for Best Traditional Pop Vocal Album for “The Gift of Love,” she could have picked soft tulle or old-school sequins. Instead, the leather and sharp heel shape suggest an artist who sees this nomination as one chapter in a long, still-moving story rather than a polite victory lap. The look hints that traditional pop can come wrapped in leather and cutouts, which quietly widens what we expect from “proper” celebrity dresses on big nights.
Tatum McAmis models Samiol’s 2025 bikinis with layered jewelry and a flower in her hair, caught in two frames of color.
Margot Robbie wore a black sweater, light blue jeans, and black boots for an off duty street style moment in Paris February 2026.
On a wet Paris night in early February 2026, Margot Robbie steps out of a doorway in the kind of everyday outfit you recognize instantly. She wears a simple black sweater , loose enough to look easy, not styled within an inch of its life, paired with straight-cut light blue jeans . The denim sits at the waist, falls clean over the leg, and breaks just slightly at the top of pointed black boots . In one hand she carries a large black bag , soft and unbranded from what we can see, the kind you grab because it simply fits everything. Her long blonde hair is down and mostly straight, with a bit of natural bend, and her makeup looks minimal—skin, brows, maybe a touch of mascara. Nothing here screams for attention; it all just works in motion.
The scene feels normal, almost messy in a nice way. Rain on the pavement, someone nearby holding an umbrella, another person’s sleeve half-blocking the frame. This is not curated campaign imagery; it is paparazzi style on the fly. She looks like she is leaving a restaurant or bar, laughing at something just out of frame. That relaxed body language—slight lean forward, easy stride—makes the street style read as believable, not forced. You see the formula clearly: black on top, blue in the middle, black at the ground. Classic urban fashion shorthand for getting out the door without thinking too hard.
As celebrity street style content, this is quietly interesting because it resists the heavy styling arms race. No tiny sunglasses, no loud logo coat, no “I’m trying for a mood board” layering. It taps into a broader shift where even the biggest film stars sometimes choose outfits that look like they belong to regular people on the metro—slightly worn denim, practical boots, a roomy tote. One sharp takeaway here: the look turns the idea of polished street style outfits into something closer to real life, reminding us that the strongest off-duty image can simply be a good sweater, good jeans, and the confidence to let a little rain hit your shoes.
