Jennifer Lawrence wore a Givenchy custom dress and Longines, Yi Collection, and Alison Lou jewelry at the 83rd annual Golden Globe Awards in Beverly Hills.
Jennifer Lawrence at the 83rd annual Golden Globe Awards, Beverly Hilton, Beverly Hills, January 11, 2026. She stands on the red carpet, surrounded by cameras, holding a matching embroidered wrap and clutch. The dress is Givenchy Custom –sheer, nude mesh, covered in pastel floral embroidery, with a plunging neckline and cutouts at the waist. The skirt is long, trailing, and almost weightless, the flowers scattered like pressed petals. The wrap is satin, pale, embroidered to match, bunched in her arms. The clutch is small, same fabric, same flowers.
Her hair is long, loose, parted in the middle, with soft bangs. Makeup is soft, a little glow, lips a muted rose, eyes defined but not heavy. Around her wrist, a Longines Vintage Diamond-Set Cocktail Bracelet Watch . On her fingers: the Yi Collection Pyramid Large Ring and the Alison Lou Custom Engagement Ring . No necklace, no earrings visible, just the dress, the wrap, and the jewelry.
This is a look that leans into fantasy, but never feels like a costume. The Givenchy gown is all about transparency and texture, but Jennifer’s styling keeps it grounded–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the flowers do the talking.
She could be anywhere–a garden, a gala, or just lost in the crowd. Tonight, she’s here, and the embroidery does all the work. No need for extra drama, just a little softness and a lot of light.
Hailee Steinfeld wore a Prada custom dress and Repossi jewelry at the 83rd annual Golden Globe Awards in Beverly Hills on January 11, 2026.
Hailee Steinfeld at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, hands gently cradling her belly, a soft smile, not a hint of nerves. The dress is Prada Custom –peachy nude, long-sleeved, floor-length, covered in vertical silver embellishments that catch the light with every move. The fabric is sheer, but the lines keep it graphic, not fragile. The fit is loose, flowing, with a subtle train that pools behind her.
Her hair is styled in deep waves, parted to the side, old Hollywood but not stiff. Around her neck, a bold Repossi Berbere High End Necklace –thick, silver, almost industrial. On her ear, a Repossi Serti Sur Vide Earcuff . The Prada Platform Satin Sandals are hidden under the hem, but you know they’re there. Makeup is soft, a little glow, lips a muted rose, eyes defined but not heavy.
This is a look that leans into modern glamour, but never feels overdone. The Prada gown is all about movement and light, but Hailee’s styling keeps it grounded–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the silhouette do the talking.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the silver lines do all the work. No need for extra drama, just a little softness and a lot of presence.
Mia Goth wore a custom black satin Dior gown with Dior diamond jewelry and a small Dior Bow bag at the 2026 Golden Globe Awards.
There’s something cinematic and slow about Mia Goth on the red carpet–like a still frame from another era. The dress, a custom black Dior gown , leans into restraint over drama. Sleek satin runs clean down the body, halter neckline curved just past the collarbone, an echo of old studio-era gowns but worn with her own steel-quiet tone. The fabric’s surface catches light in that particular way only black satin can: half liquid, half shadow.
The gown falls into a soft train, the hem barely brushing the carpet. She wears a matching satin wrap , draped loosely around her arms–not quite a shawl, not quite sleeves–suggesting the in-between mood that defines her style. Jewelry comes straight from house archives: Dior Couture diamond earrings and a necklace in white gold , the stones sharp enough to feel almost cold against the skin. There’s minimal color here, and that’s the beauty–a refusal of excess in favor of texture and silhouette.
Her makeup stays light, skin nearly bare, a muted blush, soft lip tone that edges to neutral. Hair parted delicately, bangs swept close to her face. Every detail carefully unspectacular, and that’s what makes the look land–it doesn’t announce itself; it settles in.
There’s defiance in such simplicity. It’s power translated through stillness rather than shine.
