The actress commands a defiant street style paradox in New York City—layering an oversized navy knit over fire-engine red track pants for the ultimate off-duty look statement.
Jennifer Lawrence is a consistent champion of the anti-glamour movement, and her latest everyday outfit captured in New York City is a masterful lesson in elevated, intentional sloppiness. This is not just casual chic ; it’s comfortable chic with a high-stakes accessory budget. The foundation is a study in texture and color-blocking: a slouchy, oversized navy sweater —likely cashmere—layered over a plain white tee, providing a cozy, autumnal anchor.
But the true statement piece is the legwear: vibrant red track pants with a crisp white stripe. This brazenly athletic choice deliberately clashes with the cozy top, recalling the post-ironic style of the late 90s. The entire messy, textured effect is cemented by the plaid flannel shirt tied around her waist, adding a punk-meets-prep layer that breaks up the long silhouette. It’s an approach to urban fashion that screams, “I am relaxed, but still curated.”
The contrast between the outfit’s comfort and the accessories’ undeniable luxury is what defines this particular celebrity street style moment. She grounds the look with the sleek, simple black The Row Canal Slip on in Leather shoes and carries a perfectly structured black Gimaguas Estuche Bag —small enough to hold essentials, large enough to signal pedigree. The look is capped off with Dmy Studios Juno Sunglasses , giving her an aloof, paparazzi style shield, while a held Met Logo Cap promises anonymity she doesn’t actually seek.
Is the calculated dishevelment the ultimate form of power dressing in 2025? It certainly looks like it. See more of how celebrities nail the impossible effortless style loo.
After the 2025 Emmys, Scarlett Johansson unveils a structured minimalism for her Late Show with Stephen Colbert appearance, punctuated by a bold, gleaming gold-and-black aesthetic.
Some looks are simply dresses; others are declarations. Scarlett Johansson’s recent appearance on The Late Show with Stephen Colbert was a masterclass in the latter. Having ridden a wave of stylish momentum from her recent press tours, she arrived in a sleek, strapless Balmain knit dress that, at first glance, could pass for an exercise in simple elegance. But upon closer inspection, it reveals itself as a marvel of structured minimalism. The ribbed knit fabric and the subtle corset-inspired seaming contour the bodice, giving the silhouette a breathtakingly sleek, tailored shape.
The genius, however, lies in the styling. Where she could have allowed the dress’s quiet perfection to speak for itself—the “Angelina Jolie approach,” as the narrative suggests—Johansson instead leaned into the unapologetic boldness that is a signature of Balmain . The dress is punctuated by the brand’s Anthem Leather Belt , its oversized, gleaming gold buckle serving as a powerful focal point. This isn’t just an accessory; it’s an architectural anchor for the entire look.
The gold motif is carried through in her jewelry, from the Sidney Garber Collana D’oro Necklace —a chunky, corrugated band of gold—to the stacked Sidney Garber Rolling Bracelet bangles on her wrist. The entire metallic effect is a deliberate play on hard and soft: the toughness of the gilded armor against the vulnerability of the strapless neckline. Her bold, classic red lip is the final flourish, a timeless detail that grounds the look in confident, powerful glamour. It’s a flawless balance of modern-day Hollywood polish and a timeless, almost warrior-like strength.
Meika and India Woollard’s fashion spread for Mob Journal ignites a satirical rebellion—clashing voluminous hair with couture punk silhouettes in a dynamic studio portrait.
This is not a photoshoot —it’s an interrogation of style itself. For their joint editorial in Mob Journal , Meika and India Woollard eschew subtlety, delivering a twin vision of high fashion rebellion that is as smart as it is spectacular. Photographed by Pip Dusadeevijai, the styled shoot is an essay on controlled maximalism and defiant cultural references.
The looks are a study in contrast-as-cohesion. On the left, Meika embodies a raw, defiant rockabilly spirit. Her garment—a fiercely short, black mini-skirt bearing a white ‘No Walking’ or ‘No Entry’ graphic—is perfectly countered by a massive, gravity-defying bouffant of brunette hair and a rugged leather cowboy hat . It’s a purposeful clash of street-level iconography with bombshell glamour.
India on the right channels a more tailored, avant-garde punk . Her sleeveless white top is sharply tailored with a crisp, high-collared silhouette, evoking futuristic workwear. Below the waist, the look explodes: trousers crafted from layers of heavily textured, distressed fabric in dark oil-slick tones and burnt orange, creating a shattered, organic texture.
The dual styling is electric. India’s short, slicked blonde coif is the architectural foil to Meika’s cascading volume. Their matching stacked bangles and defiant sunglasses—held or worn—emphasize the twins’ united front, a powerful visual statement on shared attitude. This is less celebrity photoshoot and more a clever, highly stylized commentary on the absurdity of being told where not to look, and what not to wear.
