Jennifer Lawrence wore a custom Givenchy floral embroidered cut-out gown paired with diamond and gold jewelry for her Golden Globes 2026 photoshoot.
In soft studio light, Jennifer Lawrence stands against a pale backdrop that almost disappears into her skin tone. The custom Givenchy dress looks less like fabric, more like vines stitched into air–a sheer nude mesh layered with embroidered flowers and leaves in muted rose, ivory, and olive threads. It’s romantic but a little unsettling in how precise it is.
The gown curves low at the side, open around the waist and hip, fading into a translucent train littered with petals. Every inch feels measured–the embroidery climbing upward as if still growing. The sheer panels reveal more than they hide, yet the look somehow stays graceful rather than provocative.
Her hair falls long, straight with soft bangs, giving the whole thing that vintage 70s ease–less red carpet, more portrait. A diamond necklace , slim and deliberate, catches light sparingly. Two distinct rings–one angular from Yi Collection , another gentler glow by Alison Lou –add quiet punctuation.
What’s striking is the color harmony: nothing louder than her own complexion. That bare palette, the calmness of the pose. It’s femininity rendered as cool precision. The gown does half the talking; the rest, pure stillness.
Hannah Einbinder wore a powder-blue sleeveless top over a white tee with black trousers and pointed heels at the Film Independent Spirit Awards.
Against the subtle red-to-black backdrop of the Spirit Awards Brunch, Hannah Einbinder stands calmly–minimal fuss, clear lines. Her outfit? A powder-blue sleeveless knit top , soft enough to look brushed, layered cleanly over a crisp white T-shirt . The color choice feels airy next to the deep tones behind her, like a small rebellion against the usual event formalwear.
She pairs it with black tailored trousers , slightly relaxed through the leg, cinched by a thin belt. The hem breaks gently over pointed black heels , grounding the otherwise pastel lightness of the look. It’s quiet styling but full of intent–modern simplicity rather than effort disguised as ease.
Hair kept natural, parted loosely, makeup faint–dewy skin, muted eyes, a hint of pink lip. There’s something honest about it, no gloss disguising her expression. The whole ensemble sits between lived-in comfort and precise structure–the kind of outfit that doesn’t scream for attention but still ends up remembered.
Chase Sui Wonders wore a green strapless Balenciaga custom gown with Tiffany & Co. diamond jewelry at the Golden Globes Afterparty 2026.
Leaving the Chateau Marmont after the Golden Globes afterparty, Chase Sui Wonders looks caught between laughter and composure, that messy-perfect moment of post-event ease. She’s wearing a vivid emerald Balenciaga gown , strapless, with a heavy sculptural drape that gathers against one arm as she walks. The fabric reflects soft light from all directions–satin, maybe, but rich enough to look like metal in motion.
Her gold Tiffany & Co. Schlumberger jewelry catches at the neck and ears–a necklace of precise brilliance, earrings curled like flame. The contrast of the jewels against the green makes the look feel alive, cinematic almost. She clutches a gold phone and a handful of gathered fabric–the real-world choreography of couture outside controlled lighting.
Hair pulled back, skin warm from flashes hitting it every few seconds, she moves easily, smiling toward someone out of frame. Behind her, a rush of tuxedos and monochrome suits fills the doorway. The gown swishes against the concrete–pure contrast, couture meeting sidewalk without apology.
