Jennifer Lawrence wore Latte Lip Glow Oil and Copper Sequin Highlighter for the Dior Beauty campaign shoot in January 2026.
For the January 14, 2026 Dior Beauty campaign shoot, Jennifer Lawrence gave us a beauty look that doesn’t try too hard — but refuses to disappear.
Start from the mouth. She’s applying the Dior Addict Lip Glow Oil in 001 Pink , and yes, it reads as textbook pretty — syrupy rose with a slick, near-iridescent sheen. But it’s the placement that matters. The way she holds the wand, lip slightly parted, like she’s finishing something that doesn’t need finishing. Very Lawrence.
Her skin? Luminous but low-shine. Not matte. Not dewy. It just… breathes. That glazed-candle warmth comes courtesy of the Dior Forever Glow Luminizer Highlighter in 07 Copper Sequin , pulsed across the upper cheekbone and temple like it was buffed in with one soft swipe too many. Strategic restraint. Look even closer, and there’s that Bronzing Balm Stick in 02 Soft Fair , fusing warmth into the hollows just enough to hint at structure without sculpting.
Sweeps of blush — muted but pushed a touch higher than usual — likely Dior’s Rosy Glow Stick in Rosewood . And the base doesn’t budge: her complexion is anchored by Dior Forever Skin Perfect 24H Foundation Stick in 3W , which looks neither detectable nor overbuilt under the camera lens.
The lashes? Inky, full, somehow plush without spiking. That’s the Diorshow Overvolume Extreme Volume Mascara in 090 in motion — no clumps, just sculpted density. Brows hold their shape without getting bossy.
Hair: natural-looking, but we know better. Long layers fall in quiet waves, warmed with a barely-there ash gold tone that softens the entire frame. The curtain fringe? Fluffy. Slightly imperfect. Just flat enough to avoid looking too styled.
There’s one crisp detail: the Alison Lou Custom Engagement Ring , just visible on her left hand as she holds the gloss. It doesn’t sparkle for attention — but it anchors the whole image in something unfiltered.
Elle Fanning wore a tailored black double-breasted Chloe suit and Cartier brooch at the Movies for Grownups Awards on January 10, 2026.
At the 2026 Movies for Grownups Awards , held on January 10, Elle Fanning chose unshakeable structure over dainty ornamentation. No lace. No frills. Nothing to float — only fabric to anchor.
Dressed in a Chloé Double-Breasted Wool Tailored Jacket with Patch Pockets , she leaned into severity — and made it believable. The broad lapels. The pocketing just shy of functional. It’s a suit that doesn’t flirt. She paired it with Chloé High-Rise Flared Pants in Wool Grain De Poudre , expanding her stance without making it loud. Sharp shoulder, high waist, wide leg — textbook tailoring, but cut with her signature control.
Pinned to the lapel: the Cartier Panthère de Cartier Brooch , sculpted and silver, almost ghost-like on camera — only catching the light when it wanted to. Her fingers bore the Cartier Broderie de Cartier Ring , just above a minimalist band.
And yes — the Chloé Black Janis Boots grounded everything in quiet dominance. They’re barely visible under the hem, but that’s the point: this look isn’t about clickbait. It’s about composition.
Her hair? Center-parted and tucked loosely back, leaving strands to frame her temple with restraint. Skin against jacket: porcelain. Deliberate. Lips drawn in a red that wasn’t quite candy or blood. Just red. Like punctuation.
Jennie Kim wore a rhinestone Blackpink hoodie and matching velour sweatpants during her Deadline World Tour Tokyo performance in January 2026.
On Day 2 of the Deadline World Tour in Tokyo, January 2026, Jennie Kim stepped onstage dressed like she already knew the internet would make this a full Tumblr-core moment by morning.
Her look? Full velour, black-on-black, rhinestone heat. The Blackpink Velour Zip-Up Hoodie clung cropped to just above the hip. Long-sleeved, hooded, cozy but not passive — with “Blackpink” spelled out in glittering cursive across the chest like an early-2000s fever dream. Below: Blackpink Velour Sweatpants , slouchy at the leg but cut sharply at the waist, worn slightly low to flash a clean midriff line. The matching rhinestone branding repeats calmly on the left thigh.
It’s not high fashion. It’s not trying to be. That’s what makes it stick.
What pulls the whole thing into stage-ready territory is how Jennie uses small details to shift the tone. Jet-black, wraparound sunglasses — cyber more than Y2K — completely block the expression under the stage lights, except for that centre-stage grin. No earrings. Hair slicked back into a tight mid-parted ponytail. Precision. Snatched but chill.
The mic? Pale pink. A killshot of softness against the blackout palette. Perfectly matched to the mic her bandmates held — but hers somehow felt like the accessory.
