Jennifer Lawrence wore a Toteme cinched puffer jacket, Shahkaar pashmina shawl, and Heaven Mayhem sunglasses while out in New York City on January 8, 2026.
Jennifer Lawrence steps out in New York City, January 8, 2026. She’s crossing the street, hands buried in the pockets of a massive black Toteme cinched puffer jacket with a plush collar, zipped up over a cream turtleneck. There’s a pink and green Shahkaar Two Leaves Dual Shade Pashmina Shawl tied around her waist, half skirt, half afterthought, the kind of layering that feels accidental but probably isn’t. Black wide-leg pants, hem grazing the sidewalk, and square-toe boots–practical, not precious.
On her face: Heaven Mayhem Margaux Sunglasses , rectangular, dark, a little bit Matrix, a little bit “don’t talk to me.” In her ears, Apple Airpods Pro –city soundtrack, always on. She’s not carrying a bag, but there’s a glint of a ring–maybe the Alison Lou Custom Engagement Ring –on her finger. Hair is loose, a little windblown, bangs just brushing her brows. No makeup drama, just a lived-in face, a little winter flush.
Kendall Jenner wore a blue baseball cap, layered jacket, and jeans while leaving a hair salon in West Hollywood on January 6, 2026.
Kendall Jenner leaving a hair salon in West Hollywood, January 6, 2026. She’s half-hidden behind a wrought iron gate, head down, moving fast. The look is pure street style –a blue LA Dodgers baseball cap pulled low, dark sunglasses, and a layered jacket situation: tan sleeves, grey body, and a chunky scarf thrown over the top. Underneath, a flash of white tee. Blue jeans, straight cut, nothing fancy. No visible bag, no jewelry except a hint of red nail polish. Shoes are out of frame, but the stance is casual, almost careless.She could be anywhere–a coffee run, a meeting, or just lost in her own playlist. Today, she’s here, and the cap does all the talking. The rest is just LA noise.
Sophie Turner wore a black Khaite Samuel jacket and Jett skirt with wedge-heel mules at the Steal BAFTA screening in London on January 12, 2026.
Sophie Turner at the Steal BAFTA screening, London, January 12, 2026. She stands in front of the step-and-repeat, hands relaxed, gaze steady, not a hint of nerves. The look is sharp– black leather Khaite Samuel jacket , buttoned up, collar high, sleeves long, almost swallowing her hands. The hem is short, just skimming the top of her thighs, with the Khaite Jett skirt barely visible underneath. The whole thing reads like a mod mini dress, but with a tougher edge.
Her hair is slicked back, parted on the side, tucked behind her ears. Makeup is minimal–just a little bronzer, lips a muted rose, eyes defined but not heavy. Shoes are black, pointed, Khaite wedge-heel mules –no fuss, no sparkle, just clean lines and a sense of confidence. No jewelry, no bag, just the clothes and the attitude.
This is a look that leans into red carpet fashion –tailored but not stiff, modern but not trying too hard. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one great jacket, one strong walk, and a little bit of edge.
She could be anywhere–a gallery, a dinner, or just out for coffee. Tonight, she’s here, and the leather does all the talking. The rest is just city noise.
