Jennifer Lawrence attended the “Die My Love” Headline Gala at the 69th BFI London Film Festival on October 17, 2025, wearing a custom Armani Privé gown.
On October 17, 2025 , Jennifer Lawrence commanded the red carpet at the 69th BFI London Film Festival , attending the headline gala for her new film Die My Love . She wore a custom Armani Privé black halter‑neck gown with a plunging neckline , a look that epitomized red carpet fashion at its most powerful.
The ensemble was elevated with the Glenn Spiro diamond torque necklace , Yi Collection Pyramid Large Ring , and her Alison Lou custom engagement ring . She carried the Hunting Season Lola velvet bucket bag and completed the look with Aquazzura You and I sandals .
Lawrence’s appearance reflected the 2025 trend of celebrity dresses that merge timeless silhouettes with bold detailing. The gown’s deep neckline and sleek tailoring projected confidence, while her straight hair with fringe bangs and smoky eye makeup reinforced a modern, cinematic edge.
Her choice of accessories underscored how couture dresses thrive on balance: the sparkle of diamonds against the stark black gown created a fashion moment that resonated with both critics and fans. The addition of a Conner Ives floral jacket , seen draped casually off‑carpet, added a playful counterpoint to the otherwise dramatic look.
The ensemble is refined in its orchestration of couture and detail. The gown projected elegance, the jewelry introduced brilliance, and the accessories delivered cohesion. Some might argue the look risked severity compared to softer gowns, but the sharper observation is that Lawrence’s portraits illustrate how red carpet arrivals thrive on drama—where couture itself becomes cultural storytelling.
Rachel Zegler appeared on The Graham Norton Show on October 24, 2025, wearing a gray plaid Ottolinger off‑shoulder blazer with matching trousers.
On October 24, 2025 , Rachel Zegler joined The Graham Norton Show , delivering a celebrity look that redefined talk show fashion. She wore a gray plaid Ottolinger off‑shoulder blazer with cut‑out detailing, paired with matching tailored trousers , creating a modern twist on classic suiting.
The asymmetry of the blazer, combined with her confident presence, transformed the outfit into a fashion moment that blurred the line between designer outfit and performance costume.
Jenna Ortega attended the InStyle Imagemaker Awards in Bel Air on October 23, 2025, wearing a rose pink Amiri Spring 2026 gown.
On October 23, 2025 , Jenna Ortega walked the red carpet at the InStyle Imagemaker Awards in Bel Air, California , presenting an award to her stylist Enrique Melendez. She wore a rose pink gown from Amiri’s Spring 2026 collection , a look that marked a refreshing departure from her darker, gothic‑leaning red carpet persona.
The gown featured delicate lace inserts, soft floral embroidery, and flowing chiffon panels , paired with silver platform heels, EFFY Jewelry, and a burgundy shearling jacket draped over her shoulders . The result was a celebrity look that balanced softness with her signature edge.
Ortega’s choice reflected the 2025 trend of red carpet fashion that embraces romantic tones and intricate detailing. The blush hue worked beautifully against her complexion, offering a lighter, more ethereal take on her style.
This moment also symbolized a shift in her red carpet arrivals narrative: moving beyond the Wednesday Addams aesthetic that defined her press tour, Ortega leaned into a couture dress that suggested evolution without abandoning her cool‑girl edge. The styling underscored how celebrity dresses can serve as both personal reinvention and cultural storytelling.
The ensemble is refined in its orchestration of romance and edge. The lace projected delicacy, the chiffon introduced movement, and the accessories delivered cohesion. Some might argue the look risked softness compared to her usual gothic drama, but the sharper observation is that Ortega’s portraits illustrate how red carpet fashion thrives on reinvention—where a single gown can signal a new chapter.
