At ABC’s End of Summer bash, Jennifer Love Hewitt leaned into quiet luxury—black tailoring, floral embroidery, and a mood that whispered elegance with a hint of edge.
Jennifer Love Hewitt knows how to make a statement without shouting. At the ABC End of Summer Soirée in West Hollywood on September 5, 2025, she arrived in a look that felt like a masterclass in understated glamour—tailored, tactile, and quietly magnetic.
Her outfit, a black blazer-and-pants set, was elevated by white floral embroidery that danced across the fabric like moonlight on velvet. The embroidery—delicate but deliberate—added texture and movement to the otherwise minimalist silhouette. Worn over a simple black top, the ensemble struck a balance between structure and softness, a nod to the current wave of celebrity style that favors thoughtful detail over loud branding.
Accessories were kept tight and tonal. Black shoes grounded the look, while a silver necklace and matching earrings added just enough shimmer to catch the event’s ambient lighting. Her long, straight reddish-brown hair framed her face with unfussy polish, and the makeup—neutral tones, soft contouring, a muted lip—felt fresh, not forced.
BLACKPINK’s Rosé, the global ambassador for RIMOWA, debuts a series of whimsical looks for Perfect Magazine’s Issue #9, showcasing her ability to fuse high-fashion with a playful spirit.
When a pop superstar collaborates with a luxury travel brand, the result is often a polished, aspirational campaign. However, Rosé’s feature in Perfect Magazine ‘s Issue #9, with its creative direction by Katie Grand, is a departure from the predictable. The editorial, which spotlights RIMOWA, has a quirky, lived-in feel, capturing the journey of a globetrotting artist in motion. The images feel intimate, like a peek behind the curtain of a stylish life lived on the road.
In one of the standout looks, Rosé is perched on a striped sofa, surrounded by RIMOWA luggage. She wears a buttery yellow leather or faux-leather corset top that has a structured, almost deconstructed feel with buckle details and an asymmetrical hemline. The piece is layered over a long-sleeved, fuzzy green top, which adds a surprising pop of color and texture to the ensemble. The contrast between the sleekness of the leather and the soft, shaggy texture of the green top creates a dynamic and visually interesting silhouette.
Rosé’s styling is a testament to her creative freedom and a departure from her usual polished glamour. Her hair, a platinum blonde, is styled in a tousled, slightly retro bob that adds a playful edge to the look. The hair and makeup, done by Lee Seonyeong and Jungyo, respectively, give her an edgy, effortlessly chic vibe that contrasts the sophistication of the designer items. Her choice of footwear, a pair of black open-toed heels, provides a simple, grounding element to the otherwise eclectic outfit. The fusion of textures, colors, and cuts in this image shows the depth of her personal celebrity style .
Lady Gaga’s red carpet return was anything but tame—ruffled noir, blood-red florals, and a headpiece that whispered “funeral couture” with a wink to punk opera.
There are entrances, and then there’s whatever Lady Gaga did at the 2025 MTV Video Music Awards in New York. Beneath the looming silver Moon Person statue, she didn’t so much walk the red carpet as haunt it—an apparition of theatrical excess and couture precision. Styled in Marc Jacobs Fall 2025, Gaga delivered a look that felt like a requiem for minimalism.
Let’s start with the dress: a black ruffle explosion that defied gravity and convention. The fabric, a dense matte organza, was sculpted into voluminous tiers that cascaded like ink spilled across velvet. The silhouette—part Victorian mourning gown, part avant-garde armor—wrapped Gaga in a cocoon of drama, with hints of deep purple peeking through the folds like bruises blooming under skin. It was unmistakably Marc Jacobs: romantic, rebellious, and just a touch deranged.
On her feet, the Marc Jacobs Kiki Leather Platform Multi-Buckle Ankle Boots in black added industrial bite. Their stacked sole and aggressive buckling grounded the look in post-apocalyptic grit, a counterpoint to the dress’s operatic sweep. Jewelry was minimal but pointed—a custom engagement ring by Sofia Jewelry, oversized and glinting with menace, like a promise made under duress.
But it was the headpiece that sealed the mood: a crown of red flowers tangled in dark netting, perched atop slicked-back hair that gleamed under the VMAs’ harsh lighting. Her makeup? Gothic precision. Kohl-rimmed eyes, a deep plum lip, and skin so pale it bordered on porcelain doll territory. Gaga didn’t smile—she smirked, posed, and stared down the cameras like she was daring them to blink first.
Is this couture’s Blade Runner moment? Or perhaps a nod to Alexander McQueen’s early theatricality, filtered through Jacobs’ New York lens. Either way, Gaga’s look felt like a manifesto: fashion as performance, identity as spectacle. It’s a reminder that the red carpet isn’t just a photo op—it’s a battleground for aesthetic dominance.
