Jennifer White wore a shimmering pink embellished gown with a thigh‑high slit and silver heels at the 2026 XMA Awards in Los Angeles.
On the red carpet of the 2026 XMA Awards at the Hollywood Palladium, Jennifer White steps into the flashlights wearing a gleaming pink embellished gown . The dress—fitted through the torso, semi‑sheer at the waist—catches every bit of light. A draped neckline , square shoulders , and a daring thigh‑high slit break the symmetry, while sequins travel down the fabric like small mirrors. Her silver platform heels and delicate bracelets add just enough shine to compete with the gown’s surface sparkle. Long dark hair , loosely waved, softens the effect and puts warmth back into a very sculpted silhouette.
There’s a certain straightforward confidence to this look—no towering concept behind it, just pure red‑carpet logic. Dress, skin, shimmer, stance. It feels old‑school in the best way, echoing the early‑2000s approach to glamour that embraced visibility as a craft. This kind of appearance keeps the memory of the true red carpet fashion ritual alive: not subtle, not ironic, fully participatory.
Jennifer White steps onto the AVN Expo 2026 carpet in Las Vegas, mixing bold prints with confident styling.
At the 2026 AVN Adult Entertainment Expo in Las Vegas, Jennifer White arrived in a look that was more playful than polished. A black lace-up crop top, leopard print mini skirt, and thigh-high boots. The backdrop carried the familiar AVN and SpieglerGirls logos, but her outfit pulled the eye first.
It’s not couture. It’s not trying to be. The mix of textures—lace-up detail against animal print, leather boots cutting the line—feels deliberate, even if casual. There’s a confidence in standing in front of industry branding dressed like this. A refusal to blend into the background.
The boots add weight, grounding the shorter skirt. The crop top keeps the look sharp, almost athletic. Together, it’s a combination that reads more like a night out than a red carpet, but maybe that’s the point.
Anya Taylor‑Joy wore a black Dior wool belted coat with white trousers and a small Dior Bow Bag while leaving the Ritz Paris hotel in January 2026.
Outside the gilded doors of the Ritz Paris, Anya Taylor‑Joy steps into daylight wearing a strict‑lined Dior black wool belted coat . The silhouette is long and disciplined, cinched at the waist , opening slightly at the hem to reveal the pale flash of white trousers beneath. A sculpted Dior Small Bow Bag , clenched loosely in one hand, finishes the look. Her long platinum‑blond hair falls straight, barely moving, contrasting the solidity of the fabric. The rhythm of it all—belt, collar, clean edge—suggests a kind of quiet rehearsal for winter uniform, caught mid‑motion by chance, not performance.
This appearance on January 25 2026 folds neatly into the city’s ongoing conversation between tailoring and comfort. Paris still loves a celebrity street style moment rooted in restraint; the coat, heavy with tradition, has that old‑school couture severity that Dior once used to redraw the female form. Yet Taylor‑Joy softens it with the everyday: loose trousers, low‑heeled black boots, the unhurried calm of someone simply moving through space.
