Jeri Ryan arrived at the 51st Annual Emmy Awards, trading her Starfleet uniform for a dazzling sequined gown that proved she was a true Hollywood fashion force.
Before the dawn of a new millennium, Jeri Ryan graced the red carpet at the 1999 Emmy Awards, delivering a look that was both a throwback to old-school glamour and a clear signal of the sleek, body-conscious fashion that would come to define the early 2000s. Known for her iconic role as Seven of Nine on Star Trek: Voyager , Ryan showed the world she was a star in her own right, stepping out in an ensemble that was utterly breathtaking and perfectly of the moment.
The centerpiece was a spectacular silver sequined gown. The fabric shimmered with a thousand tiny facets, creating a fluid, liquid-like effect that caught the light with every move. Its silhouette was a masterclass in elegant simplicity: a form-fitting column that hugged her curves and featured a daring, sky-high slit up the side. The gown was held by delicate spaghetti straps, giving it a minimalist feel that allowed the sequin work to shine. It was a look that felt like a mermaid crossed with a disco ball—pure, unadulterated glamour.
Never one to shy from a sartorial power play, Simone Ashley proves that event dressing doesnt always require a gown, opting instead for a polished and surprisingly playful approach at the 2025 U.S. Open finals.
When it comes to dressing for a high-profile event like the U.S. Open, the expected uniform often leans toward effortless, elevated casualwear or a classic sundress. Ashley, however, subverts this entirely. Stepping out at the USTA Billie Jean King National Tennis Center, the actress attends the match in a three-piece suit that instantly sets her apart from the crowd. Its a perfect example of a modern, androgynous take on classic tailoring.
After an emotional premiere, Sydney Sweeney trades high-fashion drama for a lesson in timeless chic—proving that sometimes, a simple black gown is all you need.
Sydney Sweeney has had an emotional, and fashion-filled, run at this year’s Toronto International Film Festival. While she may have turned heads on the red carpet with a dramatic pink gown for the premiere of Christy , it was her look for the after-party that truly stole the show—and proved her style versatility. She stepped out into the Toronto night, not in another bold statement, but in a look that was all about quiet, polished confidence.
For the after-party, Sweeney opted for a sophisticated black velvet and lace halter gown. The dress’s sleek silhouette and plunging neckline provided a modern, body-conscious shape without being overly ornate. The subtle mix of textures, from the plush velvet to the delicate lace, gave the look a rich depth that felt both luxurious and understated. It’s a classic, old-Hollywood aesthetic, but rendered with a clean, contemporary sensibility.
Sweeney kept her styling minimal, allowing the elegance of the dress to take center stage. She wore her blonde hair down in soft, flowing curls that framed her face, and her makeup was natural, with a focus on a dewy glow. The choice to pair the gown with matching black heels and minimal accessories—only a small handbag and a few subtle rings—underscored the look’s clean, streamlined purpose. Her pose was relaxed and self-assured, a confident smile on her face as she celebrated the success of her film.
