Jessica Alba wore a black textured top, ripped denim shorts, sandals, and a beige cap while on the set of The Mark in October 2025.
On October 12, 2025, Jessica Alba was spotted on the set of The Mark in Gold Coast, Australia, in a look that epitomized relaxed celebrity street style . She wore a black long-sleeve top with a lace-like textured pattern, paired with light blue ripped denim shorts. Black sandals kept the outfit grounded in casual comfort, while a beige baseball cap added a practical, off-duty touch. Gold hoop earrings and layered necklaces, glimpsed in closer frames, introduced subtle polish to an otherwise pared-down ensemble.
This outfit reflects the ongoing cultural embrace of “casual chic,” where celebrities merge practicality with a hint of styling intention. The denim shorts and sandals suggest ease and mobility, fitting for a day on set, while the textured black top elevates the look beyond pure utility. The baseball cap, often shorthand for anonymity in paparazzi style, here becomes part of the aesthetic — a reminder of how accessories can shift from necessity to statement. Alba’s choice resonates with the broader trend of celebrities leaning into approachable, everyday outfits that still read as curated.
Margot Robbie wore a beaded, embellished gown with a sleek updo on the cover of la Repubblica Velvet – The Fashion Edition in October 2025.
On October 14, 2025, Margot Robbie appeared on the cover of la Repubblica Velvet – The Fashion Edition , embodying the magazine’s theme of fashion as freedom of expression. Photographed in profile against a stark black background, Robbie wore a glamorous gown adorned with intricate beadwork and embellishments. The dress shimmered with detail, its craftsmanship highlighted by the simplicity of the composition. Her blonde hair was styled in a sleek updo, emphasizing her neckline and the ornate textures of the garment. The overall effect was one of sculptural elegance, where the interplay of light and embellishment turned the cover into a study of modern glamour.
The editorial text accompanying the feature frames Robbie as an actress who has made transformation her art. From roles like Harley Quinn to her recent turn as Barbie, she has consistently reinvented herself, and now, as a producer, she seeks to tell stories that leave a lasting mark. This narrative of reinvention aligns seamlessly with the cover styling: the embellished gown becomes more than attire — it is a metaphor for her ability to embody multiple identities while maintaining a core of authenticity. The magazine’s declaration, “La moda è libertà d’espressione” (“Fashion is freedom of expression”), situates Robbie not just as a Hollywood star but as a cultural figure whose style choices echo her professional ethos.
This cover succeeds by balancing restraint with opulence. The gown’s beadwork could have overwhelmed in a busier composition, but the stark black background and profile pose ensured clarity. The sleek updo was a deliberate styling choice, preventing distraction and allowing the garment’s embellishment to dominate the frame.
The sharp insight here is that Robbie’s appearance demonstrates how fashion editorials can function as visual manifestos: the gown is not just decorative but declarative, embodying the magazine’s thesis that clothing is a language of identity and freedom. It is a refined presentation — one that situates Robbie at the intersection of cinema, culture, and couture.
Matilda De Angelis wore a series of editorial looks including suede, pleated tailoring, and logo-accented styling for Muse Magazine Issue 66 in September 2025.
Look 1: Suede Shirt and Plaid Handbag
In one frame from Muse Magazine Issue 66, Matilda De Angelis wears a dark olive suede shirt, unbuttoned to reveal the chest, cinched at the waist with a black belt featuring a gold buckle. A black skirt anchors the look, while a red-and-black plaid handbag introduces a disruptive pop of pattern. The styling is minimalist yet tactile, emphasizing the contrast between suede’s matte richness and the smoothness of the skirt.
Fashion Verdict: This look succeeds by leaning into texture play. The suede shirt suggests ruggedness, while the plaid bag injects irony — a wink at traditional patterns repurposed in a high-fashion context. The sharp insight here is that the outfit demonstrates how editorial styling thrives on tension: luxury suede collides with utilitarian plaid, creating a dialogue between refinement and rebellion.
Look 2: Pleated Brown Ensemble
Another image presents De Angelis in a coordinated brown outfit consisting of a pleated skirt and matching pleated jacket. The jacket is left open, exposing the torso, while a tie detail at the waist introduces structure. The vertical pleats create rhythm and movement, while the monochrome palette emphasizes form over embellishment. Her pose — arms raised, hands behind the head — amplifies the sculptural quality of the pleats.
Fashion Verdict: This ensemble is effective in its architectural clarity. The pleats transform fabric into structure, recalling Issey Miyake’s legacy of clothing as engineered form. It is a refined appearance, one that situates De Angelis within the lineage of fashion that treats garments as kinetic sculpture rather than mere adornment.
Look 3: Beige Logo Top and Oversized Bag
The final look shows De Angelis reclining on a white surface in a sleeveless beige top with the word “Fendi” partially visible across the chest. She pairs it with black pants and clutches a large, crumpled dark red leather bag close to her body. The pose is contemplative, her gaze directed upward, transforming the accessory into both shield and statement.
Fashion Verdict: This look succeeds by reframing the logo as subtext rather than spectacle. The partially obscured “Fendi” suggests brand presence without overt declaration, while the oversized bag becomes the true protagonist. The sharp insight here is that the styling reflects fashion’s current ambivalence toward logos: they are acknowledged but destabilized, subordinated to form and gesture.
Across these three looks, Muse Magazine positions Matilda De Angelis as a chameleon of editorial fashion. The suede, pleats, and logo-driven styling each reference different cultural codes — ruggedness, architectural modernism, and brand commentary — yet together they form a cohesive narrative of experimentation. This aligns with the broader editorial trend of treating celebrity photoshoots as laboratories for fashion ideas, where garments are less about wearability and more about testing the boundaries of identity and image.
