Jessica Alba wore Elie Saab Fall 2025 Couture for the Red Sea Film Festival opening night premiere of Giant.
Jessica Alba attended the Opening Night premiere of Giant at the Red Sea International Film Festival in Jeddah, Saudi Arabia on December 4, 2025, wearing Elie Saab Fall 2025 Couture. The strapless black gown , sculpted in a mermaid silhouette , fused architectural precision with red carpet drama. The textured fabric and oversized bow detail at the hip reframed volume as punctuation — a styling gesture that turned couture into statement logic.
Her diamond necklace and rings added a note of classic glamour, while the loose waves softened the look’s structural intensity. This wasn’t just a red carpet fashion moment . It was a haute couture appearance calibrated for cinematic resonance.
The gown’s flare — dramatic but controlled — echoed the festival’s own ambition: to celebrate global cinema with unapologetic elegance. Alba’s pose, poised and direct, suggested someone who understands how to wear couture without being consumed by it.
Rhian Teasdale wore a cropped top, white shorts, and rosette belt for Wet Leg’s Glastonbury 2025 performance.
Rhian Teasdale performed live with Wet Leg at Glastonbury on June 27, 2025, wearing a stage look that fused punk athleticism with ironic femininity. The white cropped top , layered over a black bra , created a visual tension between exposure and structure — a styling move that reframed concert outfit logic as body-positive armor .
Her white shorts and belt with rosette detail added a note of playful defiance, while the visible tattoos and flexed pose turned the body into a message board — strength, vulnerability, and spectacle colliding in real time. The pink-tinged hair and dark red stage backdrop amplified the contrast, making the look feel like a spotlight moment engineered for maximum impact.
Nina Dobrev wore a navy off-shoulder textured look for her Red Sea Film Festival portraits in December 2025.
Nina Dobrev posed for Red Sea International Film Festival portraits in December 2025, wearing a navy off-shoulder ensemble that fused sculptural tailoring with editorial restraint. The textured fabric , structured through large buttons and a matching belt, created a silhouette that felt both formal and tactile — a look that reframed studio portrait logic as fashion spread minimalism.
The long skirt , fitted and uninterrupted, extended the outfit’s vertical rhythm, while the white ankle-strap heels added a note of contrast without disrupting the tonal focus. Her pose — upright, composed, and slightly angled — suggested someone who understands how to wear control without rigidity.