Jessica Biel wore a sheer Simkhai top and wide-leg leather pants to the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Jessica Biel didn’t choose something loud. She chose something layered—quiet tension dressed in near-transparency and thick grainy leather. The top? Simkhai’s Feyre —a gauzy black organza shell that floats above a strappy tank, gathered tight at the neck and letting the shoulders play loose. It looks like it breathes on its own. Doesn’t cling. Doesn’t care to.
The Simkhai Waldon Pants underneath ground everything. Deep espresso brown leather with a true-matte finish. No shine. No croc texture. Just leather, wide through the leg, pooling just enough at her black pointed-toe shoes to say she doesn’t need precise hemming to pull something off. Five-pocket styling. Belt loops still visible. Very intentional unpolish.
Jewelry? Minimal. No necklace—would’ve fought the collar. Simple rings. Hair loose, softly waved. Makeup neutral, but skin-forward. You get the sense her glam team knew the lighting in this room wouldn’t be forgiving—and styled based on reality , not fantasy.
This wasn’t a look for the back row or the post-roundtable photoset. It was for showing up and being looked at. No commentary needed.
Sarah Pidgeon wore an embellished low-cut gown with a feathered hem to the FX premiere of Love Story at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette on February 3, 2026 , hosted at Carnegie Hall in New York , Sarah Pidgeon stepped out in a look that leaned hard into retro drama. The dress—deep neckline, no straps, all ease—sat almost weightless on top and full-flare fantasy down below. Diamond-shaped metallic beading cut sharp across the black base like 1920s wallpaper gone luxe. But then, the twist: the entire bottom half, feathered. Not just trimmed— engulfed . Pillowy, iceberg mint plumes you could lose your shoes in.
At the center, a neat black bow held where bodice meets torso, softening the plunge and giving the whole look this weird, sweet tension. From party girl to couture bird.
No necklace. Smart move. The detailing up top did the work. Hair? Blunt parted, pin-straight, and styled to not compete—a good baseline for something this textured. Her makeup? Dewy flush, classic lip, brows that stayed calm.
This wasn’t a red carpet fashion moment screaming to trend. It was the kind of throwback-glamour-meets-weird silhouette that doesn’t ask for attention—it just gets remembered.
Aimee Carrero wore a golden pleated knit dress and metallic heels to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Aimee Carrero leaned toward something quietly gleaming. Gold—not bold gold, not dripping gold, but that woven mid-century kind of shimmer that only appears when the light gets in just right. Her dress, a ribbed knit polo mini-dress extended into a midi , held shape from shoulder to hem—cupped close at the top, then allowed to release below the waist into a soft pleated flare. Structured but mellow. Business up top, brunch wedding in the skirt.
The details stayed simple. A tight short sleeve. Three buttons at the collar. No belt. The texture did the talking. That vertical knit on the bodice read like armor disguised as luxury lounge wear. And her accessories followed: gold twisted platform peep-toe heels , coordinating but not trying too hard. Hoop earrings, a small stack of cocktail rings, nothing overplayed.
Hair was tucked casually behind the ear on one side, the rest swept into a balanced low ponytail. Makeup brought it home—cool-toned eyes, soft blush, a lived-in lip. Press-ready but no press-pose energy.
This wasn’t fashion for noise. It was soft strength, told in threads that shimmer but never shout.
